Editorial Features

Jon Burgerman’s first proper New York solo brings humor, melancholy, and hot dog balloons into unexpected balance. From his studio, he speaks about being multiple kinds of artist at once, making work that is accessible without losing depth, and letting ideas travel freely between forms. “Hold On, It Won’t Last Long” is on view at A Hug From the Art World through March 7, 2026.

Celebrate Valentine’s Day a little differently. Join ArtRabbit on Friday, February 13 for Love, After Light, an intimate early evening gallery tour through Tribeca, with wine, artist presence, and thoughtful conversation, this small-group walk explores how love, light, and ritual appear across contemporary art.

Josh Dorman’s intricate, encyclopedic paintings weave found ephemera, ink, and acrylic into layered narratives across time and space. Last chance to see before February 14.

A satirical, city-spanning artwork enters the gallery, blurring advertising and performance to question value, belief, and the uneasy commerce of contemporary urban life.

A measured survey of three decades of work by Ken Gonzales-Day, examining cultural memory, race, and history through imagined archives that quietly question how the past is constructed and understood.

Singapore Art Week takes place across the city. ArtRabbit brings the programme together in one place, helping you explore exhibitions, plan routes and move between venues as the week happens.

A quietly compelling installation by Malcolm Kenter that turns architectural detail, surface and contradiction into a thoughtful meditation on space, material and time at Sebastian Gladstone.

Marcelle Reinecke’s Cherries in the Snow builds tender, imagined worlds where nostalgia, intimacy, and care unfold quietly, proposing pleasure as something intentional, protective, and deeply sustaining.