Translations: Afro-Asian Poetics

About

On the occasion of Singapore Art Week 2024, The Institutum presents, “Translations: Afro-Asian Poetics”, a major exhibition that will feature 100 internationally acclaimed artists from the African and Asian continents and diasporas. This will be the first large-scale exhibition dedicated to the vibrant and interconnected narratives of these demographics to be held in Singapore and Southeast Asia. The exhibition draws from esteemed private collections across the region, and will provide a rare opportunity for audiences to engage intimately with an array of mediums, including painting, photography, sculpture, moving image, textile, installation, and performance. 

At its core, “Translations: Afro-Asian Poetics” celebrates the inherent commonalities between the two cultures, transcending geographical and colour divides by emphasising shared experiences, trials and tribulations, spiritual practices, and more. The exhibition continues the seminal work of curators and scholars such as Joan Kee in her recently published title, “The Geometries of Afro Asia”, and Natasha Ginwala and Bonaventure Soh Bejeng Ndikung with Michelangelo Corsaro’s 2023 exhibition, “Indigo Waves and Other Stories” at Gropius Bau. In contributing to the ongoing dialogues around seeking affinities among the Global Majority, the exhibition will serve as a further catalyst for cultural understanding and unity, resonating profoundly within Singapore's multicultural fabric. 

 "We seek to illuminate the threads that weave us together as people, transcending linguistic and cultural barriers," notes curator Dr. Zoé Whitley, "Singapore, with its rich tapestry of cultures and identities, serves as an ideal platform to celebrate and amplify these connections." 

Notable artists in the exhibition include Theaster Gates, whose concept of Afro-Mingei takes aspects of African-American vernacular craft and merges it with Japanese philosopher Soetsu Yangagi’s ‘mingei’ concept. This concept celebrates and honours the humility of quotidian objects made by unnamed craftspeople, a notion conceived alongside ceramicists Kanjiro Kawai and Shoji Hamada. Ogawa Machiko, another luminary in the exhibition, broke new ground as one of the first women to study ceramics at Tokyo University of the Arts. Her distinct approach to ceramics, honed during her intensive study of West African methods of forming and treating clay in Burkina Faso, adds a rich layer to the exhibition. 

The exhibition also ventures into themes of migration and displacement, language and identities, among others. In a remarkable juxtaposition, Singaporean artist Yanyun Chen and Nigerian artist Ifeyinwa Joy Chiamonwu share in their parallel explorations around perspectives of scars and scarring in their respective cultures. In their evocative works, Igshaan Adams, Do Ho Suh and Zarina Hashmi each explore notions of home, weaving personal narratives into rich tapestries, ethereal sculptures and maplike drawings.

Other highlights include works by Tuan Andrew Nguyen and The Otolith Group, who continue to offer nuanced and comprehensive perspectives into historical moments and movements that both complicate and expand the Afro Asia framework. This confluence of diverse artistic explorations demonstrates the many connections and similarities shared across practices of different geographies. 

 By alighting on poetics, “Translations” proposes synergies and affinities across the artists featured in the exhibition and beyond, and acts as a continuation to the interconnectedness of Afro Asia and its peoples. 

Venue: Multiple Locations