The New Flesh Presents: Shezad Dawood & Alexandra Kharibian in Conversation

About

Dawood and Kharibian will discuss the integral role of costume and their experience collaborating on 'Towards the Possible Film' (2014) and three parts of Dawood's ‘Leviathan’ series (2017 - ongoing).

About the artists

Shezad Dawood works across disciplines film, painting, neon, sculpture and more recently virtual reality to deconstruct systems of image, language, site and narrative. Using the editing process as a method to explore both meanings and forms, his practice often involves collaboration and knowledge exchange, mapping across geographic borders and communities. Through a fascination with the esoteric, otherness and science-fiction, Dawood interweaves histories, realities and symbolism to create richly layered artworks. 

Dawood's work has been acquired for international collections including TATE (London); UK Government Art Collection (UK); Government Art Collection (US); UBS; The British Museum (London); LACMA (Los Angeles); National Gallery of Canada (Ottawa); and the Bill and Melinda Gates Foundation (Seattle). Recent and forthcoming exhibitions include Leviathan, Bluecoat, Liverpool (forthcoming, 2019); Encroachments, Sharjah Biennial 14, Sharjah Art Foundation, Sharjah (2019); Gwangju Biennale, Gwangju, South Korea (2018); Delirium/Equilibrium, Kiran Nadar Museum of Art, New Delhi (2018); Leviathan: On Sunspots and Whales, Barakat Contemporary, Seoul (2018). Dawood was born in London in 1974 and lives and works in London. 

Alexandra Kharibian
A Londoner of Armenian decent, Alexandra began her career with the National Youth Theatre of Great Britain and went on to train at Central Saint Martins College of Art and Design and London College of Fashion. For over a decade Alexandra has worked as a Costume Designer across performance platforms in Theatre, Opera and Film. Most recently collaborating with the Armenian Artists collective Myaseen on their new Opera '1000 Songs' and other projects, she is also a founding member of the design agency //Cutline Collective// working on live events and installations. Focussing on themes of migrating communities and refugees, in 2011 she devised 'The Road to Ras al Ain' a performance dance piece focussing on the plight of the Armenian?s who were the victims of ethnic cleansing by the Ottoman Empire in 1915. This piece was picked to be performed at the Salon Mashup Displacement + Regeneration Exhibition in 2013 and Platforma Arts + Refugee Festival 2013.

The New Flesh
The New Flesh is an artist residency programme that commissions early career artists working with film and moving image to produce new works using the facilities and costumes at Academy Costumes, one of the UK's leading costumiers for stage and screen. These works are presented through LUX and Berwick Film & Media Art Festival, two of the UK's leading organisations for supporting artists' film. The New Flesh was founded, and is curated by Georgie Brinkman. Alongside the residency she curates a series of talks, screenings and workshops at LUX that explore the intersection of costume and moving image.

This event is kindly supported using public funding by Arts Council England.