Exhibition

Tarsila do Amaral: Inventing Modern Art in Brazil

11 Feb 2018 – 3 Jun 2018

Regular hours

Sunday
10:30 – 17:30
Monday
10:30 – 17:30
Tuesday
10:30 – 17:30
Wednesday
10:30 – 17:30
Thursday
10:30 – 17:30
Friday
10:30 – 20:00
Saturday
10:30 – 17:30

MoMA Museum of Modern Art

New York
New York, United States

Address

Travel Information

  • From the east side of Manhattan M1, 2, 3, 4, or 5 to 53rd Street From the west side of Manhattan M50 cross-town to 50th Street. Proceed to 53rd Street.
  • From the east side of Manhattan 6 train to 51st Street, transfer to the E or M train; one stop to 53rd Street and Fifth Avenue From the west side of Manhattan E or M train to 53rd Street and Fifth Avenue, or B, D, or F train to 47-50 Street Rockefeller Center

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Tarsila do Amaral is a foundational figure in the history of modernism in Latin America.

About

The first exhibition in the United States exclusively devoted to the artist focuses on her pivotal production from the 1920s, from her earliest Parisian works, to the emblematic modernist paintings produced in Brazil, ending with her large-scale, socially driven works of the early 1930s. The exhibition features over 130 artworks, including paintings, drawings, sketchbooks, photographs, and other historical documents drawn from collections across Latin America, Europe, and the United States.

Born in São Paulo at the turn of the 19th century, Tarsila―as she is affectionately known in Brazil―studied piano, sculpture, and drawing before leaving for Paris in 1920 to attend the Académie Julian. Throughout subsequent sojourns in Paris, she studied with André Lhote, Albert Gleizes, and Fernand Léger, fulfilling what she called her "military service in Cubism," ultimately arriving at her signature painterly style of synthetic lines and sensuous volumes depicting landscapes and vernacular scenes in a rich color palette. The exhibition follows her journeys between France and Brazil, through Rio de Janeiro and Minas Gerais, charting her involvement with an increasingly international artistic community, and her critical role in the emergence of modernism in Brazil: in 1928, Tarsila painted Abaporu, which quickly spawned the Anthropophagous Manifesto, and became the banner for this transformative artistic movement that sought to digest external influences and produce an art for and of Brazil itself.

Exhibiting artists

Tarsila do Amaral

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