Stephen McKenna. the sixties.

About

Assembling fragments of shape and colour, McKenna’s early abstract paintings adopt a vivid multi-chromatic palette and a dreamlike elasticity. As the decade progresses, the artist begins to introduce the human figure to these scenarios, using spatial illusion to bend linear time and elicit intense psychological drama. Moving from abstraction to figuration with ease, he layers windows within windows, rooms within rooms; suspending the figure in abstract geometric prisms, or splicing it into composite parts. Seldom seen since they were first exhibited, the paintings in the sixties have a vitality and sense of discovery that reverberates across half a century – and are as captivating now as they were upon completion.

At the onset of the sixties, McKenna was a student at the Slade School of Art, an environment that championed modernism and abstraction. In 1971, he would leave London for a decades-long exploration of continental Europe (Germany, Italy, and Belgium) where he would refine a distinct artistic vision fusing classicism with modernity. The paintings in the sixties reflect the ideas of the 1960s avant-garde, with its tendency towards free association, absorbing the legacy of Surrealism and the influence of European pop culture. This formative period of McKenna’s career is defined by a quest for expanded consciousness and his belief in the power of the imagination.