Provoke. Between Protest and Performance. Photography in Japan 1960 - 1975

29 Jan 2016 – 8 May 2016

Event times

Daily 10 am – 6 pm,
Wednesdays 10 am – 9 pm


Wien, Austria


Save Event: Provoke. Between Protest and Performance. Photography in Japan 1960 - 1975

I've seen this

People who have saved this event:


The Japanese photo magazine Provoke, which ran for three issues in 1968 and 1969, is regarded as a highlight of post-war photography. The Albertina, in the world’s first-ever exhibition on this topic, is taking a close look at this publication’s creators and its long genesis.


The presentation encompasses a representative cross-section of Japanese photographic trends during the 1960s and 1970s. With around 200 objects, the exhibition Provoke unites works by Japan’s most influential photographers - including Daidō Moriyama, Yutaka Takanashi, Shōmei Tōmatsu, and Nobuyoshi Araki. Before the backdrop of the massive protest activities in Japan during this period, they created their images out of an awareness of being at a historical turning point between societal collapse and the search for a new Japanese identity. These works thus represent both an expression of this political
transformation and a renewal of prevalent aesthetic norms.

This exhibition places Provoke in a historical context, focussing on the dialogue between the group’s photography in particular and contemporary protest photography and performance art in general. Photography is examined as a document of - and/or a call to - protest against injustice: the period around 1960 saw numerous books published in connection with the first great wave of protests in Japan against renewal of the alliance with the USA. A few of them document the demonstrations themselves, while others deal with related themes - above all with the nuclear bombing of Hiroshima and Nagasaki. The years during which Provoke was published saw these protests, which were staged employing great creativity, give rise to a captivating visual world of resistance to the illegal actions of large corporations and the despotism of the
neoliberal Japanese state.

Art form Toggle


Matthew Witkovsky

Walter Moser

Diane Dufour

Duncan Forbes

Exhibiting artists

Eikoh Hosoe

Daidō Moriyama

Takuma Nakahira

Yutaka Takanashi

Kazuo Kitai

Tatsumi Hijikata

Shōmei Tōmatsu

Koji Enokura

Jirō Takamatsu

Nobuyoshi Araki


Have you been to this event? What do you think? Join the discussion here!
Remember, you can include links to your instagram pictures and to videos.