Borrowing its title from Dan Graham’s 1977 performance at De Appel Arts Centre in Amsterdam, in which the artist described himself and the seated audience in front of a mirrored wall, the exhibition draws on the interactivity and reflexivity of film and explores its importance as a media for experimentation, performance and documentation.
The exhibition is organised into three distinct sections that draw on the subjects of Graham’s performance – performer, audience and mirror – with each section showing a looped showreel of films. A selection of films featured in the exhibition will be screened online through Lisson Gallery’s website, allowing users to virtually experience the wealth of moving image on display while calling into question the accessibility of video art. Drawing on the gallery’s near 50 year history and extensive archive, a resource area featuring catalogues and other relevant ephemera will also accompany the exhibition.
The ‘Performer’ section of the programme highlights the association between performance and film through the works of artists such as Marina Abramović, Gerard Byrne, Nathalie Djurberg and Hans Berg, Ryan Gander, Rodney Graham and Christian Jankowski. These works explore our understanding of performance in film both within a conventional contemporary art setting and within the broader cultural context of theatre, comedy and narration. Here the newest work in the exhibition, Worship (2016), a claymation film by Nathalie Djurberg and Hans Berg, will make its premiere in the UK, following successful reception in Sweden and Austria.
The ‘Audience’ programme, located in the main gallery space, will take place within Dan Graham’s pavilion, Greek Meander Pavilion, Open Shoji Screen Version (2001). The pavilion creates an intimate sculptural environment to explore the significance of architecture and space in film and allows the audience to more actively engage with the works on view. Films by artists including Art & Language, Cory Arcangel, Ceal Floyer, Ryan Gander, Jonathan Monk and Santiago Sierra will be screened on monitors housed in the largescale structure. Highlighting reflexivity in film, these works will also be visible from the outside through a griddled shoji screen and reflections in the pavilion’s two-way reflective glass. Graham’s documentation of his performance Performer/Audience/Mirror will be also screened, alongside the earliest work in the show, Speak (1962) by John Latham. Following a recent London exhibition dedicated entirely to Latham’s spray paintings, this screening offers a rare opportunity to become acquainted with the artist’s avant-garde film practice.
Screened in the third gallery space, the ‘Mirror’ programme reflects the social, political and historical significance of film and its potential to act as a mirror on society. A recent film by John Akomfrah, whose film installations The Airport and Auto Da Fé (2016) will be on display at Lisson Gallery New York from 24 June until 12 August 2016, will be presented, alongside work by other artists including Allora & Calzadilla, Francis Alÿs, Cory Arcangel, Wael Shawky and Sean Snyder.