Having often addressed questions of feminism and cultural convention, Paulina Olowska here revisits the work of Zofia Stryjeńska—exploring the visionary Polish artist’s notion of ballet as a “wreath of ceremonies,” and designing costumes after her 1918 painting series Bożki słowiańskie (Slavic Deities) that was based on Slavic folklore and mythology.
Katy Pyle, Artistic Director of the Ballez, will be working with Jules Skloot, Lindsay Reuter, Mei Yamanaka, Deborah Lohse, Madison Krekel, and Charles Gowin to personify Stryjeńska’s goddesses in solos that reactivate classic folk steps. An original score by Sergei Tcherepnin will mix cosmic sounds together with traditional Mazurkas, Polkas, and Oberkas, as well as spiritual disco. Lighting design by Madeline Best with inspirational quotes of Zofia Stryjeńska and Paulina Olowska.
Curated by Katy Dammers and Tim Griffin.