Exhibition

Meg Stuart/Damaged Goods, Projecting [Space[

26 Sep 2018 – 30 Sep 2018

Regular hours

Wednesday
15:00 – 19:00
Thursday
15:00 – 19:00
Friday
15:00 – 19:00
Saturday
15:00 – 19:00

Cost of entry

Admission: 25 €, red. 10 €

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About

Imagine a nomadic tribe would travel from the future to today’s time to share their lore –   the stories, songs and dances that reflect their ways of living together, of practicing labour, care and ritual. Would we look at today’s world with different eyes? Would we be spurred on to sensitize ourselves and experiment with spaces and situations of encounter?

These questions are brought to resonate in "Projecting [Space[", an in situ creation by Meg Stuart/Damaged Goods, dramaturge Jeroen Peeters and scenographer Jozef Wouters. After its premiere at Ruhrtriennale in 2017 the HAU co-production will now finally come to Berlin as part of the season opening and within Berlin Art Week.

A motley group of artists, performers and technicians, the company Damaged Goods will take in the Reinbeckhallen in Oberschöneweide, alongside the river Spree. There they unfold precarious collective practices of meeting and making.

Choreography: Meg Stuart
Dramaturgy: Jeroen Peeters
Scenography: Jozef Wouters
Created with and performed by: Jorge De Hoyos, Mor Demer, Márcio Kerber Canabarro, Roberto Martínez, Renan Martins de Oliveira, Sonja Pregrad, Mariana Tengner Barros, Sigal Zouk
Soundscapes & installations: Vincent Malstaf
Double bass & live electronics: Klaus Janek
Costume design & props: Sofie Durnez
Light design: Sandra Blatterer
 
Technical direction: Jitske Vandenbussche
Technical realization: Emmanuel Desmyter (light), Richard König (sound design)
Production management: Sandra Diris, Barbara Falter
Decoratelier: Menno Vandevelde
 
Production: Damaged Goods (Brussels), Ruhrtriennale.
Co-production: HAU Hebbel am Ufer.
In partnership with: PACT Zollverein (Essen).
Funded within the framework of the Alliance of International Production Houses by the Federal Government Commissioner for Culture and the Media.
Supported by: Reinbeckhallen

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Meg Stuart

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