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No Pasara by Leila Alaoui, 2008. Courtesy Fondation Leila Alaoui & GALLERIA CONTINUA
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Natreen by Leila Alaoui, 2013. Courtesy Fondation Leila Alaoui & GALLERIA CONTINUA
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Tamesloht, 2011 from the series Les Marocains by Leila Alaoui. Courtesy Fondation Leila Alaoui & GALLERIA CONTINUA
Exhibition
Leila Alaoui: Rite of Passage
11 Oct 2020 – 28 Feb 2021
Regular hours
- Monday
- Closed
- Tuesday
- 12:00 – 18:00
- Wednesday
- 12:00 – 20:00
- Thursday
- 12:00 – 20:00
- Friday
- 12:00 – 20:00
- Saturday
- 12:00 – 18:00
- Sunday
- 12:00 – 18:00
Address
- Strand
- WC2R 1LA
- London
- WC2R 1LA
- United Kingdom
Travel Information
- 6, 9, 11, 13, 15, 23, 77a, 91 and 176, while the River Bus Service can be taken to Embankment and Savoy Piers.
- Temple, Covent Garden, Charing Cross and Embankment.
- Charing Cross, Waterloo and Blackfriars.
The first major UK retrospective of works from the celebrated French-Moroccan photographer, video artist and activist Leila Alaoui
About
Acclaimed for capturing the unseen stories of individuals and communities displaced by conflict and unrest, Alaoui’s photography offers an intimate portrait into the rich cultural identities and resilience of societies facing uncertain realities. The subjects of Alaoui’s works are pictured across the contemporary Mediterranean-landscape and beyond, from Syrian refugees fleeing civil war in Lebanon to young North Africans seeking an alternative future in Europe.
In 2016, whilst working on a women’s rights campaign with Amnesty International, Alaoui was caught in gunfire during a terrorist attack in Ouagadougou, Burkina Faso, and three days later died of her wounds. Honouring Alaoui's photographic practice, the exhibition includes three of Alaoui’s defining series of works - Les Marocains, No Pasara and Natreen, as well as Alaoui’s final unfinished video work L’Île du Diable (Devil’s Island), exploring the lives of a 1960s generation of dispossessed migrant workers in France.
Showing great sensitivity towards her subjects, Alaoui’s images are both informed yet artistic, giving a human face to the people who often become lost and misrepresented behind waves of news coverage and statistics.
