José Parlá: Phosphene

About

The significance of these works lies, in part, from their inspiration following the artist’s near-death experience with Covid (2021) and unveils an exhilarating and poignant exhibition drawing on recurring themes in his practice, including urban space, human markings, memory and energy.

Parlá’s Phosphene series began while the artist spent time in his hometown of Miami, Florida, during what was meant to be a brief period of respite between his schedule of exhibitions around the world. There, surrounded by nature and brilliant sunlight, the artist began to experiment with painting outdoors – a stark contrast to his industrial studio in Brooklyn – using the sun to elucidate the abstract visual language in his mind. This exhibition takes its title from the visual phenomenon that gives the impression of seeing light with eyes closed. Appearing as flashes of colourful light, such as dots, swirls or shapes that wander slowly across a person’s vision, the term ‘phosphene’ is derived from Greek phōs ‘light’ + phainein ‘to show’.

Phosphene is comprised of eleven pulsating works executed during this fertile period of en plein air painting, which build upon the experimental phenomenon of retinal closed-eye hallucinations and conjure complex memory abstractions as a dense maze of paints and textures. The works continue Parlá’s lifelong dialogue with the urban subconscious, the tempo and flow of the streets, and musical inspirations such as his roots in the conception days of Hip Hop culture. Furthermore, they are imbued with a quiet yet powerful spirit of survival that calls us to consider notions of legacy, ownership, and the imprints we leave behind.