In his boldly colored graphic works, Wood combines art historical references with images of the objects, interiors, and people that comprise the fabric of his daily life. Translating the three-dimensional world around him into pure color and line, he confounds expectations of scale and vantage point, causing the flat picture plane to bristle with an abstract charge.
One room of this exhibition is dedicated to a series of new paintings of architectural interiors and exteriors. Wood composes these through a process of layering and collaging, using photography, projection, drawing, and then painting. Sources are translated and mixed into generations, which then become the basis for the large-scale paintings. The “seams” are dissolved in the final work, even if the impression of an assemblage remains palpable. Images of Wood’s family members and domestic surroundings recur in his paintings, revealing the importance of familial dynamics in shaping time, space, and identity. For example, Young Architect (2019) is based on a photograph from the mid-sixties in which Wood’s father stands on a construction site where timber beams cross over each other, their grain echoing the forms made by the living trees visible behind. In Inglewood Listing (2019), Wood has painted the quiet scene of a room, based on a photograph from the original real estate listing of his home from the early 2010s, which contains similarly grained timber beams and green foliage. Set more than fifty years after the photograph taken of his father, it contains a sense of autobiographical nostalgia rendered through the depiction of living space.