Exhibition
Home Economics: Film Programme
31 Aug 2019 – 28 Sep 2019
Event times
Open: Tuesday to Saturday, 11am-5pm
Cost of entry
Free Entry
Address
- 142-144 Above Bar Street
- Southampton
England - SO14 7DU
- United Kingdom
Travel Information
- Southampton Central
The films brought together for 'Home Economics: Film Programme' are an exploration of the politics and discourses around the home and wider environment and economy.
About
Rosland Nashashibi's 'Hreash House' (2004), captures a single family as a community, as an extended Palestinian family occupy an entire tower block and are seen celebrating after Ramadan.
'The Home and the World' (2010) by Lucy Parker captures the routines of a rural residential home for young adults with support needs, where activities like gardening are a central activity to nurture development.
'Pyramid' (2014) by artist Margaret Salmon examines Abraham H. Maslow’s theory of ‘Human Motivation’ that looks at the hierarchy of human needs. Through careful orchestration, Salmon constructs an abstract documentary, which both develops and challenges the themes presented in Maslow’s theory as well as her own interest in human iconography, stereotype and domestic rhythm.
Ben Rivers’ 'Sack Barrow' (2011) focuses on a small family run factory in the outskirts of London. The business specialised in electroplating and overtime, the chemical and mineral processes have transformed the factory into another world. Originally, set up in 1931 to provide work for disabled ex-servicemen, the factory finally went into liquidation in 2011. In June that year Rivers filmed the environment and daily routines of the final month of the remaining six workers.
'About Now MMX' (2011) by William Raban explores the economic and social topography of the capital city. Mixing various times of the day and night and alternating between time-lapse and standard speed and from the perspective of the top floor of the Balfron Tower, this film captures the material impact of time in the wake of the 2008 financial crash.
Charlotte Ginsborg’s 'Melior Street' (2011), takes its name from and is based in a street near London Bridge, in the capital city of London. The confused architecture of Melior Street acts as a backdrop to explore the lives of some of its eight residents. Through conversation and dialogue, they touch on relationships, belonging and the transient nature of the one street in central east London.'
Black Audio Film Collective, Reece Auguiste's 'Twilight City' (1989), focusses on 6 individuals based in London, each with their own perspective. Together they discuss how London has changed through the centuries and talk about the changes shaped by the Conservative Government through the 1980s.
Programme: 31 August–14 September
Rosalind Nashashibi, 'Hreash House' (2004)
20 minutes. Courtesy of the artist and LUX, London
Lucy Parker, 'The Home and the World' (2010)
21.5 minutes. Courtesy of the artist and LUX, London
Margaret Salmon, 'Pyramid' (2014)
17 minutes. Courtesy of the artist and LUX, London
Ben Rivers, 'Sack Barrow' (2011)
21 minutes. Courtesy of the artist and LUX, London
Programme: 17–28 September
William Raban, 'About Now MMX' (2011)
28 minutes. Courtesy of the artist and LUX, London
Charlotte Ginsborg, 'Melior Street' (2011)
65 minutes. Courtesy of the artist and LUX, London
Black Audio Film Collective, Reece Auguiste, 'Twilight City' (1989)
52 minutes. © Smoking Dogs Films; Courtesy Smoking Dogs Films and Lisson Gallery
With special thanks to LUX, London and Lisson Gallery.