Exhibition

Home Economics: Film Programme

31 Aug 2019 – 28 Sep 2019

Event times

Open: Tuesday to Saturday, 11am-5pm

Cost of entry

Free Entry

John Hansard Gallery

Southampton
England, United Kingdom

Address

Travel Information

  • Southampton Central

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The films brought together for 'Home Economics: Film Programme' are an exploration of the politics and discourses around the home and wider environment and economy.

About

Rosland Nashashibi's 'Hreash House' (2004), captures a single family as a community, as an extended Palestinian family occupy an entire tower block and are seen celebrating after Ramadan.

'The Home and the World' (2010) by Lucy Parker captures the routines of a rural residential home for young adults with support needs, where activities like gardening are a central activity to nurture development. 

'Pyramid' (2014) by artist Margaret Salmon examines Abraham H. Maslow’s theory of ‘Human Motivation’ that looks at the hierarchy of human needs. Through careful orchestration, Salmon constructs an abstract documentary, which both develops and challenges the themes presented in Maslow’s theory as well as her own interest in human iconography, stereotype and domestic rhythm.

Ben Rivers’ 'Sack Barrow' (2011) focuses on a small family run factory in the outskirts of London. The business specialised in electroplating and overtime, the chemical and mineral processes have transformed the factory into another world. Originally, set up in 1931 to provide work for disabled ex-servicemen, the factory finally went into liquidation in 2011. In June that year Rivers filmed the environment and daily routines of the final month of the remaining six workers.

'About Now MMX' (2011) by William Raban explores the economic and social topography of the capital city. Mixing various times of the day and night and alternating between time-lapse and standard speed and from the perspective of the top floor of the Balfron Tower, this film captures the material impact of time in the wake of the 2008 financial crash. 

Charlotte Ginsborg’s 'Melior Street' (2011), takes its name from and is based in a street near London Bridge, in the capital city of London. The confused architecture of Melior Street acts as a backdrop to explore the lives of some of its eight residents. Through conversation and dialogue, they touch on relationships, belonging and the transient nature of the one street in central east London.'

Black Audio Film Collective, Reece Auguiste's 'Twilight City' (1989), focusses on 6 individuals based in London, each with their own perspective. Together they discuss how London has changed through the centuries and talk about the changes shaped by the Conservative Government through the 1980s.

Programme: 31 August–14 September

Rosalind Nashashibi, 'Hreash House' (2004)
20 minutes. Courtesy of the artist and LUX, London

Lucy Parker, 'The Home and the World' (2010)
21.5 minutes. Courtesy of the artist and LUX, London

Margaret Salmon, 'Pyramid' (2014)
17 minutes. Courtesy of the artist and LUX, London

Ben Rivers, 'Sack Barrow' (2011)
21 minutes. Courtesy of the artist and LUX, London

Programme: 17–28 September

William Raban, 'About Now MMX' (2011)
28 minutes. Courtesy of the artist and LUX, London

Charlotte Ginsborg, 'Melior Street' (2011)
65 minutes. Courtesy of the artist and LUX, London

Black Audio Film Collective, Reece Auguiste, 'Twilight City' (1989)
52 minutes. © Smoking Dogs Films; Courtesy Smoking Dogs Films and Lisson Gallery

With special thanks to LUX, London and Lisson Gallery.

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