Exhibition

Gabby Miller, "Second Sleep"

15 Sep 2017 – 21 Oct 2017

Event times

Reception: Friday, September 15, 2017, 6-8pm
Hours, Wednesday through Saturday, 12-5pm

Cost of entry

Free

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The Luggage Store

San Francisco
California, United States

Address

Travel Information

  • Streetcars to Powell, 6, 7 71, 31, 5
  • Powell Street
  • BART to Powell Street
Directions via Google Maps Directions via Citymapper
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Using heavy crude bunker oil and materials gathered while crossing the Pacific Ocean, relationships between the global supply chain, imperialism & environmental degradation are explored, attempting to imagine a world through their runs. Gallery will also serve as a sort of pop up meditation hall.

About

     Let me be a boat, a raft, a bridge for those who wish to cross the flood.*

Miller will create an installation of hundreds of hand-built wooden meditation benches. The gallery will function as a temporary meditation hall with spontaneous and planned events in the space.

This is a moment of great unrest and wakefulness. Use the poison of this world to fuel your practice” her teacher says.

Miller has created work using heavy-crude bunker oil and other materials gathered while she crossed The Pacific Ocean from Oakland on a container ship. “Second Sleep” looks at the relationships between the global supply chain, imperialism and environmental degradation, and attempts to imagine a world through their ruins.

“Second Sleep” can come after hours of quiet wakefulness.

Before the Industrial Revolution, most people in Western Society experienced two major intervals of sleep, punctuated by an hour or more of quiet wakefulness. The succeeding interval was called “Second Sleep”.  “In the in-between-time people wrote down their dreams, talked with or had sex with their bedfellows, took part in magic rituals, or sometimes went to visit their neighbors by candlelight.” **

A meditation practice, especially sitting together with others, can give us access to moments of quiet wakefulness, glimpses of the possibility of collective liberation.

A major project for Miller involved crossing the Pacific Ocean on a containership.  During that time, she got to know crew members and painted portraits of their loved ones at home for them using heavy crude oil and ink. Collaborating with the crew, they held an exhibition in the swimming pool room of the ship. Since disembarking, she continues to work with a supply of heavy crude oil extracted from the ships engine, as well as exploring alternate energy sources. This project was funded by the Asian Cultural Council and culminated in a exhibition at Nha San Collective in Hanoi and a residency at Random Parts Gallery in Oakland.

Practice Benches (A Boat, A Raft, A Bridge for Those Who Wish to Cross The Flood) are hand-built from found or donated wood. While she installs, Miller will be present for meditation and invites visitors to join in the sessions. The benches are for sale for anyone who would like to buy them for whatever price works for the buyer, using the “Gift Economics” model, an alternate to a consumer mentalist that encourages a mindset of generosity, sustainability and community empowerment.

* from “The Bodhisattva Way” by Shantideva

** from “At Day’s Close: Night in Time’s Past” by Robert Ekirch

BIO 

Gabby Miller has a degree in cultural anthropology from Reed College in Portland, and will be attending UC Irvine for her MFA this fall. Much of her organizing work is based in Southeast Asia, with Nha San Collective and The Queer Forever Festival in Hanoi. She has participated in projects and exhibitions nationally and internationally, including Somarts, YBCA, The Museum of Capitalism, and The Luggage Store. 

Miller often use s personal objects and her body in her work, inventing a visual language through experiments merging sculpture, photography, performance and video to describe how we transport of history and iconic signifiers of identity across geopolitical and cultural boundaries in the age of globalization

gabby-miller.com

Facebook link to “Second Sleep” + “This Too Shall Pass” 

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