Wilson's first exhibition with WORKS|PROJECTS provides a unique occasion to explore the development of Wilson's recent landmark works through the artist's preparatory works. Force Quit features the artist's drawings and models from significant recent projects including works detailing recent versions of his most famous work 20:50, a room half-filled with highly reflective sump oil to create a disorientating symmetrical plane, and Turning the Place Over, a 10 metre wide motorized disk in the façade of an abandoned building which elegantly illustrates Wilson's view of the architecture and engineering as âa slow event' open to unexpected transformation.
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