Gallery FIFTY ONE is proud to present its sixth solo exhibition on Saul Leiter (USA, 1923-2013), focussing on his studies of the female figure in both photography and painting. In addition to his colourful poetic street photographs that by now belong to the collective art memory, the nude photographs Leiter took in his apartment in East 10th Street in New York City’s East Village, reveal an intimate insight into his personal habitat.
From his arrival in New York in 1946 through the early 1970s, Leiter took thousands of nude pictures of his female friends and lovers. One of the great qualities of these images is the candid, spontaneous atmosphere. The women behave naturally in front of Leiter’s lens; they lie stretched-out on the bed, looking frontally and slightly provocative into the camera. Others are (un)dressing, masturbating or smoking a cigarette. During his lifetime, the artist rarely showed these intimate images to outsiders. The photographs included in this exhibition were all printed by Leiter in his private darkroom in the 1970s for a book collaboration with art director and close friend Henry Wolf. The project eventually never took off.
Although of a more direct nature than Leiter’s famous street photography, many typical elements also appear in these private settings. The unusual camera angles create complex, multilayered compositions. Leiter’s subjects are often obstructed by pieces of furniture on the foreground, photographed from a distance through narrow door openings or mirror reflections. He introduces abstract elements, for instance by keeping a zone in the image out of focus or by focussing on the side of a bed or a wall, leaving a large part of the frame blank.
This tendency towards abstraction becomes even more apparent in the painted nudes on view. From the 1970s onwards, Leiter began to apply gouache on the nude photographs he kept in his apartment. In these colourful works the model, often captured from close by, blends into a tumultuous background of brush strokes. The paint layers come together in a jumble of vivid, volatile lines and firmly placed flat areas. The expressionist and bright colour palette and the impetuous way of painting are reminiscent of the work of Pierre Bonnard (1867-1947), one of Leiter’s preferred artists. This French painter was known for his landscapes and depictions of everyday life in Paris, in which he placed great emphasis on emotion and spirituality. Bonnard also made countless nude portraits of his wife Marthe, with the same intimacy and candid atmosphere as Leiter’s photographs on show. Both artists’ preference for unconventional compositions and radical cropping is striking and hints at the flat design and strong lines of Japanese art, which strongly influenced them.
In FIFTY ONE TOO this Saul Leiter show extends into a series of nude photographs taken in 1958 in a cottage in Lanesville, a small town on the Atlantic coast north of Boston. These are the only nude images Leiter ever made in colour, as well as some of the few pictures he shot outside of New York City. These eight variants of one model (Jay) gracefully posing, epitomise the artist’s mastery of colour and composition. The combination of a soft pastel palette and natural light adds to the particularly romantic atmosphere of these images.
In 2018, a long awaited book on Leiter’s nudes, In My Room, was published by Steidl Books. A selection of vintage and later prints of these nude images was recently shown at among others The Helmut Newton Foundation in Berlin. On the occasion of this exhibition, the gallery will launch a new FIFTY ONE Publication: 'Saul Leiter, EAST 10th STREET’, including previously unseen images.