Set against the backdrop of a fictional nation state, Harrington explores the idea of patriotism, and the divisions that arise from it, in his signature style that encompasses abstract, baroque and graffiti-style painting. At a time when walls are being built, borders are closing and countries move towards isolation, a post-globalization society is emerging. For Harrington, the mentality of ‘us and them’ is rising.
Harrington drenches historical portraits of forgotten generals in vivid hues of red and blue, exaggerating this idea of ‘us and them’ through various political and cultural tropes. He stages photoshoots on which he bases the scenes in his paintings and utilises fire extinguishers, brushes, squeegees, hand painting and more to build up an image on his large canvases.
For this series Harrington had two flags made, one red and one blue, which he reproduces in paint and through which he has fictionalised the idea of a nation state to examine ideas on tribalism and patriotism.
Harrington is known for his expressionistic oil paintings and murals that draw a fine line between the classical and contemporary, the ethereal and hard realism, and examine themes of masculinity, military history and urban culture. Born in 1980 in Cork, Ireland, Harrington began tagging walls as a teenager after hanging out at hip-hop clubs. He went on to attend the Limerick School of Art and Design, where he received a BFA in 2002. Now equally synonymous with both large-scale studio compositions and outdoor murals, his provocative, dreamlike work draws a fascinating line between the street and the canvas. The artist has exhibited internationally, including at Lazarides, New York and HENI in collaboration with Pace London.