Exhibition

Céleste Boursier-Mougenot at The Curve

27 Feb 2010 – 22 May 2010

Cost of entry

Free

London, United Kingdom

Travel Information

  • Moorgate / Barbican

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About

The latest commission for The Curve is by French contemporary artist Céleste Boursier-Mougenot and takes the form of a walk-through aviary inhabited by 40 zebra finches. For his first UK solo exhibition Boursier-Mougenot constructs a landscape for the birds using bass guitars and Gibson Les Paul electric guitars as perches, and cymbals as feeders containing water and seeds. As the birds go about their routine activities, settling on the instruments, plucking strings and pecking cymbals they create a chance composition. The sounds are amplified to resonate throughout the gallery. Also included in the installation is a series of videos that featuring close-ups of hands playing electric guitars. Rather than hearing the sound of the guitars playing we hear a humming drone produced by the amplification of the video signal. Boursier-Mougenot trained as a musician and started his career as the composer of the Pascal Rambert Theatre Company, Paris where he worked from 1985 to1994. From the early 90s he began makinginstallations for galleries. Working in a variety of media, including sculpture, video and sound he creates installations which bring together the audible and the visual. He uses everyday objects and seemingly unremarkable situations to produce random and captivating soundscapes. In Videodrones, 2001, Boursier-Mougenot used surveillance cameras to create a sound piece based on New York street life. By connecting the video output to the input of an audio amplifier a humming sound was created. The ongoing drone varied in relation to the amount of light and movement captured by the cameras. Harmonichaos, 2000—06, is an installation of 13 vacuum cleaners, with harmonicas attached to each suction nozzle. The vacuums' motors are controlled by sensors that react to sound frequencies. As visitors enter the gallery, a microphone in the sensor picks up the ambient sounds, turning one vacuum on. This starts a chain reaction as other sensors pick up the sound made by the first harmonica creating a cacophonous sound wave in the gallery. The effect is an unpredictable orchestration for harmonicas.

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