Cécile B. Evans

About

A WIG AND A MAN ARE SEEN WALKING AWAY FROM CAMERA, TOWARDS THE WATER. HE CARRIES AN IKEA BAG. THE WIG HAS A PAIR OF WHITE TRAINERS. PHIL: This is an invisible woman, there's no official term for what she is but historically there are many like her. She was a figure in a landscape until someone erased her, content aware filled her, and removed her from the scene. THE WIG IS AN INVISIBLE WOMAN. SHE STOPS, AND TURNS AROUND, TAKING HER TIME. INVISIBLE WOMAN: Hi PHIL. PHIL: Hi. CUT TO THE INVISIBLE WOMAN AND HER PARTNER SITTING ON A BLANKET. SHE READS A COPY OF THE INVISIBLE MAN AND HE LOOKS STRAIGHT INTO CAMERA. THERE IS A BANANA TO THE LEFT OF THEM. INVISIBLE WOMAN: How are things? PHIL: You know, ok. We have an audience by the way. INVISIBLE WOMAN CLOSES HER BOOK, PUTS IT DOWN, AND CROSSES HER FEET. IW: Oh. Thanks for letting me know. PHIL: Does that change things for you? IW: Indefinitely. Up until now, I've been completely invisible. PHIL: Well, until before you were. IW: Right. I've been this way for a long time, and it's getting hard to remember that part of me. PHIL: How old are you anyway? CUT TO INVISIBLE WOMAN PEELING A BANANA. IW: Pretty old. PHIL: Your hair doesn't look old. IW: I haven't had it for long. PHIL: Well, you know what they say about older women… IW: … they become invisible.