The process of the de- and reconstruction of the naturalistic image of the human being was one of the major driving forces in the development of painting in the twentieth century and, in the framework of the digital era, is picking up speed once again. The title of the exhibition, Better than de Kooning, refers to the same-named work created in 2008 by the American artist Peter Saul who, with his concept of painting-appropriation, which is nourished both by Surrealism and Abstract Expressionism as well as by underground comics and political caricature, developed an innovative politpop painting style. The exhibition presents works by fourteen artists of European and American provenance over several generations who operate in terms of both form and contents between a conceptual reception of painting and an investigation of influences from the mass media.
At the same time, the exhibition will establish a bridge to caricature, comics and the animated films of the nineteenth and early twentieth centuries, and thereby illuminate the beginnings and interconnections of this thematic area.
Bringing together more than fifty paintings, the exhibition Better than de Kooning will extend over the entire upper floor of the Villa Merkel and retrace the interaction between painterly deformations of the human figure and mass-media images from 1961 to the present. The works on display will thereby enter into correspondence with an extensive wall collage consisting of caricatures, panels from comics and film stills.
With works by Peter Saul, Lee Lozano, Maria Lassnig, Michel Majerus, Dieter Krieg, Tim Berresheim, Jana Euler, Katrin Plavčak, Jon Rafman, Gunter Reski, Matthias Schaufler, Jim Shaw, Amy Sillman, Sue Williams