The work is the culmination of a year long project researching the archives and collection of the Merseyside Maritime Museum and the International Slavery Museum Liverpool, seeking to better understand the history of the trans-Atlantic slave trade and it’s connections to the North West of England - Kwant’s birthplace and the place she calls home.
Through her past work 'In-Transit' - where the artist embodied and retold migrants stories through site specific performances staged across the Mediterranean - Kwant became interested in the therapeutic benefits of theatre for survivors of trauma.
The artist initiated a series of movement workshops in collaboration with British Barbadian Choreographer Magdalen Bartlett Luambia, giving female survivors of modern day slavery tools and agency to create their own performances. These embodied performances were shot progressively in a studio and then on location at Harewood House, built between 1759-1771 for wealthy plantation and slave owner Edwin Lascelles, 1st Baron Harewood.
Through objects, actions, sound, and repetitive movements, the film reflects upon colonial slavery and its ongoing legacy in modern Britain, raising questions of colonial history and human trafficking today.
The film is complimented by a commissioned soundtrack by musician and composer Sarah Sarhandi, and a specially commissioned text by Sara Jaspan.