Exhibition
Alex Da Corte. Harvest Moon
27 Sep 2017 – 7 Jan 2018
Regular hours
- Wednesday
- 11:00 – 18:00
- Thursday
- 11:00 – 21:00
- Friday
- 11:00 – 18:00
- Saturday
- 11:00 – 18:00
- Sunday
- 11:00 – 18:00
- Tuesday
- 11:00 – 18:00
Address
- 235 Bowery
- New York
New York - NY 10002
- United States
Travel Information
- From the East Side of Manhattan Take the downtown 6 train to Spring Street. Exit the station and walk one block north on Lafayette Street to Prince Street. Turn right and proceed until Prince Street ends four blocks later at Bowery. From the West Side of Manhattan Take the downtown N or R train to Prince Street. Exit the station and proceed east on Prince Street for six blocks to Bowery. You may also take the downtown D or F train to Broadway/ Lafayette. Walk three blocks east to Bowery and turn right two blocks to Prince Street. From Brooklyn Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street. From Queens Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street.
Philadelphia-based artist Alex Da Corte will create a new work for the inaugural installation in the storefront window of the New Museum’s 231 Bowery building.
About
Da Corte’s project will be the first in a new series paying homage to the window installations that the New Museum mounted in the 1980s, which included now-legendary projects by Jeff Koons (“The New,” 1980), David Hammons (“Rented Earth,” 1980), Linda Montano (“Seven Years of Living Art,” 1984–91), and Bruce Nauman (“No, No, No, No!,” 1987).Da Corte’s vibrant paintings, sculptures, videos, and installations infuse everyday artifacts with symbolic power. Drawing from the visual iconography of his outer-Philadelphia upbringing, Da Corte creates theatrical assemblages that combine personal narratives and remixed references with the glossy aesthetics of commercial culture. Through subtle manipulation, repurposing, and juxtaposition of objects and icons, he unearths the eerie and absurd qualities that underlie the seemingly familiar. At once dazzling and ominous, his surreal amalgams chart the psychological complexities, desires, and illusions that haunt late-capitalist culture.