Winston Branch “The Sweet Scent of Magnolia”

About

Exhibition details:

Exhibition Title: THE SWEET SCENT OF MAGNOLIA Winston Branch “The Sweet Scent of Magnolia”.

Private View Opening: Wednesday November 22nd, 6:30pm - 10:00pm

Dates: November 21st to December 19th , 2023

Venue: Varvara Roza Galleries, Gallery 8, 8 Duke Street St. James's, London SW1Y 6BN Private View (Invitation only) on Wednesday November 22nd from 6.30pm to 10:30 pm Opening Hours: Monday to Sunday from 10:30am - 8:00pm

Varvara Roza Galleries, exclusive representative of Winston Branch, in collaboration with The Blender Gallery, proudly announce a major solo exhibition by Winston Branch titled “The sweet scent of Magnolia”.

Duration: November 21 - December 19, 2023

Location: @Varvararozagalleries, Gallery 8, 8 Duke Street, St. James’s, London SW1Y 6BN.

Varvara Roza Galleries is delighted to exclusively represent the artworks by the acclaimed British post-war and contemporary artist Winston Branch.

In his exhibition “The sweet scent of magnolia”, Winston Branch will present his new body of work, consisting of large-scale canvases painted in his London studio during a prolific period in 2023.

His preoccupation as an artist has been the re-examination of finding a more palatable means of expression. 

The excitement with which his paintings have developed over the years, has always been to explore the magic of paint: The way a total amorphous substance is transformed into an illusionary subject. It is the sensuality of the pigment of the paint that has captivated his inner voice.


In his early development, Monet’s “Water Lilies”, always captured a very strong use of light, exploring the textural surface on the canvas. These paintings he has not emulated but they have been buried deep in his subconscious and has tried to postulate that radiance both in light and in feeling.
For him painting can only work on a purely intuitive instinct, on gut feeling. Though the intellectual process is the justification of the act, in his study of “Nude in an interior” painted in 1967, he has tried to orchestrate the figurative image and at the same time, convey a greater sensuous approach to paint.
As he has moved on, absorbing the influences of Matisse and Nicolas de Stael and widening a greater horizon, the formation of his perception has embraced the non-representational aspect of painting much more. Painting for him has always been a grand gesture and as he has found his identity as an artist, it was inevitable that this would lead to pure abstraction. It is cutting at the edge of the bone of the human experience as the faculty of imagination is the highest order of the manifestation of one’s soul. 

"Painting for me is to take an amorphous substance like paint, and turn it into an illusionary image, thereby evoking the sensuality of feeling. Colour is light, and through colour I express my humanity." Winston Branch

At the age of 76, Branch shows no signs of slowing down, and remains as dedicated as ever to his craft.
Recent exhibitions include; the Royal Academy of Arts Summer exhibition 2023; “Jasmines Blowing in the wind” at Simon Lee Gallery ‘Fragments of Light’ at Cedric Bardawill in 2023; and a group exhibition at The Whitworth Art Gallery, Manchester in 2022. 

In 2018, the Tate Collection acquired ‘Zachary II’ (1982), a stunning abstract work with a powdery blue and sandy pink palette, which the Tate compared to a Monet. 

‘Zachary II’, is part of a series of eight paintings Branch made when he was living in London in the early 1980s, another of which, ‘The Magic is in You’ (1982-84) was sold in 20th/21st Century London Evening Sale at Christie’s on 13 October 2023 for £240.000.00, more than twice its estimate. Branch’s abstract paintings are noted for their mesmerizing and highly emotive surfaces, conjured from the interplay of bright colours that form an entangled web of rich pigment characterized as ‘bewitching canvases’, as his abstract paintings have a bewitching intensity drawn from the subconscious. 

He begins with an emotion and paints as many canvases as it takes until that feeling is fulfilled. He took Monet’s ‘Waterlilies’ and melted them into glorious, shimmering colour that evoked unfathomable depths. He conveyed the rhythms of nature in thickly layered patches of powdery acrylic. 

Tate acquisition cemented Branch’s legacy, and record sales of his paintings at auction reinforce the significance of his contribution to the art historical canon. Branch, After living and working in London, Rome, Berlin, California, the Caribbean and New York where he developed a fluid, confident style of abstraction, Branch resettled in London, from where, he states , ‘I want to write my name on the ledger of British culture’. He recounts a meeting with former Tate director Sir Nicholas Serota at a party when: ‘I told him it was my time, and he agreed. 

“I don’t know what the paint is going to do, that’s the magic of it, that’s the dance. I take the paint, I put it down on the canvas. I move the paint with large gestures. These are my preoccupations. When I come to do what I do. I don’t think about anybody. I think about what I’m doing. It’s a combination of years of discovering myself, and reinventing myself, and not trying to be repetitious. Each painting must be fresh. The whole thing is about trying to have clarity and fluidity.” Winston Branch

Art Critic Peter Selz notes: “Winston Branch ... paintings suggest gardens, landscapes and seascapes, gardens in full bloom, the sky and clouds, the sea and its waves. They can be seen as the 21st century version of the great 19th century Romantic painters. Caspar David Frederick and Eugene Delacroix. (His) horizontal canvases evoke the sense of vast expanse. Done with a sweeping brush, they are the works of a daring colourist whose brilliant hues achieve a true iridescence. “ 

Art Critic Carlos Diaz Sosa notes: 

“Branch paints abstract canvases in cool, cloudy colours that have a quality which allow the viewer to explore the depths of the mind. Branch uses paint like a symbol, a purely aesthetic language, an illustration of spirit. “ 

ABOUT WINSTON BRANCH 

Winston Branch is a prominent British artist originally from Saint Lucia. 

He was born in Castries, Saint Lucia, where he attended a Catholic school. In the 1960’s, at the age of 12, was sent to London where  he studied at the Slade School of Fine Arts UCL. 

Branch was the recipient of a Guggenheim Fellowship, The Berlin Artist programme in Berlin (DAAD),a fellowship in Belize from Organization of American States and was Artist in Residence at Fisk University in Tennessee. He received an Honorary Doctorate from the University of Greenwich, London. 

He has exhibited his work consistently since the 1960s, worldwide, including at the Oakland Museum of California, the Alliance Francaise de San Francisco, the permanent collection of the Berkeley Art Museum, the 11th and 23rd São Paulo Art Biennial, Museo de Arte Moderno in São Paulo, the 4th Bienal de Pincture de Cuenca, Modern Art Museum (Cuenca, Ecuador) and the Biennale de Paris, Musée National d’Art Moderne and the John F. Kennedy Center for the Performing Arts.
In 2010 he fell ill while at San Francisco International Airport waiting for a flight to exhibit work and give a lecture at the Museum of Modern Art in Santo Domingo, Dominican Republic, and was cared for at the Alta Bates Summit Medical Center, where following his recovery he held an exhibition entitled A Gift of Life (1 May–24 June 2011).
Most recently, he was one of the artists featured prominently in No Colour Bar: Black British Art in Action 1960– 1990 (July 2015–January 2016) at the City of London’s Guildhall Art Gallery, with three of his paintings hung at the entrance of the exhibition. One of the works shown, was his painting West Indian — “a marked exception” to the non-figurative style now more typical of Branch — on loan from Rugby Borough Council’ 

respected collection of 20ths- and 21st-century British art, which also includes works by L. S. Lowry, Barbara Hepworth, Stanley Spencer and Bridget Riley. 

Works by Winston Branch are represented in the permanent collections of Tate Britain, The Victoria and Albert Museum, The British Museum, The Arts Council of Great Britain, Rugby Art Gallery and Museum, The Museum of Modern Art in São Paolo, The John Simon Guggenheim Memorial Foundation, The Legion of Honour de Young Museum in San Francisco, CA, The St Louis Museum of Art in Missouri, The Crocker Art Museum in Sacramento, CA, The Hamburger Kunsthalle Museum in Hamburg, The University of California at Berkeley, The Berkeley Art Museum The Contemporary Art Society, UK, Her Britannic Majesty Military Government (Berlin, DE). 

ABOUT VARVARA ROZA GALLERIES 

Varvara Roza Galleries is an Executive Arts Gallery and Advisory Firm promoting overseas artists & Greece’s brightest artists worldwide and is committed to cultural leadership. The CEO of Varvara Roza Galleries is Varvara Roza. 

Varvara Roza is an Art manager and advisor with a passion for bringing leading contemporary artists and Greece’s brightest artists into the global art market. Varvara specializes in the promotion of contemporary art by established and emerging international artists, and she is determined to feature a multitude of artistic disciplines with an intent focus on giving a platform to exceptional talent, diversity and cultural relevance. She is dedicated to ensure the highest level of excellence and integrity within her projects across Europe. 

Email: info@varvararozagalleries.com 

IG: @varvararozagalleries 

http://www.varvararozagalleries.com

ABOUT THE BLENDER GALLERY: 

The Blender Gallery is a leading contemporary art gallery in Athens, which has the aim to promote Greek artists both in Greece and abroad, whilst collaborating with well-established artists and galleries from all around the world. The architecture of the 360 sm exhibition space is specifically designed to meet the standards of a pioneer gallery, allowing the presentation of numerous pieces of art in a dynamic and interactive way, both in group and solo exhibitions. Hence, The Blender Gallery enhances the continuous dialogue between the artists and their media, as well as between the artwork and the public. As a result various perspectives are represented and new interpretations of each artist’s work are emerging. Since 2019 a synergy between The Blender Gallery and Varvara Roza Galleries has been established aiming to present Greek artists abroad. 

Email: info@theblendergallery.com 

IG: @theblendergallery 

http://www.theblendergallery.com

Exhibition details:

Exhibition Title: THE SWEET SCENT OF MAGNOLIA Winston Branch “The Sweet Scent of Magnolia”.

Dates: November 21st to December 19th , 2023
.
Venue: Varvara Roza Galleries, Gallery 8, 8 Duke Street St. James's, London SW1Y 6BN.

Opening Hours: Monday to Sunday from 10:30am - 8:00pm.