I am interested in the process of production and manufacture of the photographic image. My projects consist of photographic series representing the different stages of making an image-fiction. My work lies at the crossroads of several major trends in the history of photography: I practice the factual recording of the real (documentary photography approaching Straight Photography and the Neue Sachlichkeit), which I then integrate into a composite image (image-fiction). The results remain anchored in reality while constituting imitations of pure photography.
In short, I divert so-called objective photographic elements toward a “tarabiscoté,” creating visually plausible results that capture the real in order to recreate an image that can be perceived as a "trace of what has been."