The Brooklyn premiere marks the 20th anniversary of bey’s Black on Both Sides, which is widely recognized as one of hip-hop’s most important albums.
The latest in a series of international presentations of Negus, the exhibition acknowledges the importance of hip-hop as a fundamental American art form by making the 8-track, 28-minute recording available without the distractions of technology (upon entering the gallery, visitors are given a case in which to lock their mobile devices). In addition to Negus, the exhibition includes artworks by Ala Ebtekar, Julie Mehretu, and José Parlá created in collaboration with bey, as well as original music by celebrated pianist by Emahoy Tsegué-Maryam Guèbrou.
Negus (pronounced nuh-goose) takes its name from the word for “king” or “ruler” in Ge` ez, one of the ancient Semitic languages of Ethiopia. bey associates the term with Prince Alämayyähu Tewodros and others who have led noble lives, including Henrietta Lacks and Nipsey Hussle.
yasiin bey: Negus is organized in collaboration with The Third Line and is curated by Lauren Zelaya, Director of Public Programs, Brooklyn Museum. This iteration of the Negus suite was co-produced by Lord Tusk and Steven Julien.