Originally trained in figurative painting, Ishida has abandoned the traditional elements of the Western style, such as perspective, composition and tone, in favour of incongruous objects and text sharing the same dimensional space. No single object within each work is particularly the focal point; instead, they maintain their own autonomous presence.
Ishida’s narrative is influenced by TV programmes that he enjoyed as a child, which were based on traditional Japanese folktales. Fascinated by the variety of mythological creatures and the human characteristics that they take on, Ishida has incorporated these anthropomorphic elements in the figures that inhabit his works.
The image, like a toy which draws us into play, invites the viewer into a fantasy space in which they can navigate the complexity of the canvas and the decontextualised illustrations. Merging time, space and logic, Ishida’s works have no beginning, middle or end to their stories, and channel the child-like curiosity of a story book.