Exhibition

Wax by the Edge of the Sun

20 Jun 2017 – 6 Aug 2017

Event times

Opening Tuesday, June 20, 6-9pm
Gallery Open Sat/Sun 12-6pm
& always by appointment info@blackballprojects.com

Cost of entry

free

Black Ball Projects

New York
New York, United States

Address

Travel Information

  • B62
  • JMZ Marcy Stop or L Bedford Stop

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Wax by the Edge of the Sun, varied works by seven NYC based artists viewed through the lens of the Icarus myth...minus the cautionary tale.

About

Wax by the Edge of the Sun

June 20 - August 6, 2017

Gregory Carideo

Karolyn Hatton

Chason Matthams

Matt Quinn 

Mono Schwarz-Kogelnik

Sarah Trigg

Brian Wondergem

Black Ball Projects is pleased to present Wax by the Edge of the Sun. Varied works by seven NYC based artists viewed through the lens of the Icarus myth...minus the cautionary tale. In interpreting this myth, three distinct “actors” work in concert : Daedalus, Icarus, and new to the stage, the worker bee. 

Meet the cast:

The worker bee secretes the wax: an enzyme instinctively produced for the sake of colony survival.

Daedalus the inventor, ingeniously uses wax to craft makeshift wings for him and his son Icarus to escape from exile.

Icarus falling victim to the exuberance of his initial freedom, fails to follow Daedalus’s caution to mind the sun, warms the wax and tumbles into the sea. 

In this scenario, each actor has distinctly different motives but nonetheless contributes to unintended collapse. What remains is a poignant and salient beauty, embodied in the aesthetic of the enduring myth itself. Likewise, the works in Wax by the Edge of the Sun imbue a sense of impending collapse—seemingly suspended between fixed states—representing an idealized but fracturable beauty.

Additionally, this yields a portrait of the artist:  an intuitive but methodical maker of things driven by occasional exuberance. That is, equal parts worker bee (natural instinct), Daedalus (rational thought), and Icarus (exuberant impulse).  

In the exhibition, wax as a substance, is either physically present, visually depicted, or metaphorically sustained. In all cases, wax (as an idea) becomes a stand-in for the artists’ material acting as an extension of the body while also serving as a functional material— akin to the secreted wax from the glands of the worker bee.

Curators

Jason Tomme

Ana Wolovick

Brian Wondergem

Exhibiting artists

Brian Wondergem

Mono Schwarz-Kogelnik

Chason Matthams

Matt Quinn

Gregory Carideo

Karolyn Hatton

Sarah Trigg

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