unrevealed perceptions

10 Dec 2010 – 16 Dec 2010

Event times

starts at 11:00 am

Cost of entry


Red Gate Gallery

London, United Kingdom


Travel Information

  • Buses: 35, 45, 345, P4
  • Nearest Train: Loughborough Junction (Thames Link, via Kings X to Sutton)

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An exhibition of Arpit Biloria's recent paintings scrutinising the intentional fallacy of perception


Unrevealed Perceptions An exhibition of Arpit Biloria's recent paintings scrutinising the intentional fallacy of perception Private View: Friday 10th of December 2010 — 6.00 pm to 11.00 pm Exhibition runs from: Friday 10th of December 2010 — Thursday 16th of December 2010 Gallery Opening Hours: Mon, Tues, Wed, Fri: 11.00 am to 6.30 pm Sat: 12.30pm - 5.00 pm Last day of Exhibition: Thursday 16th of December: 10.00am to 5.00pm Red Gate Gallery is pleased to present an exhibition of Arpit Biloria's recent paintings. These works aim to scrutinise the intentional fallacy of perception. Biloria's work explores the minimising of basic forms, which he considers otherwise complex and concealed. This is apparent in his spatial illusions dissolute in fine gradation of muted hues. His discernment about the ‘specific objects' in his canvas appears not of his own but of a trained viewer as he strives hard to annihilate the presence/intentionality of the artist. ‘Doing more with less', the pleasing vast negative spaces in his monochromatic paintings are deliberately stripped to its essentials, which imply a sort of illusion and the hierarchically disinterested ‘primary structures' are often geometrized/systematized as the art work claims oblique hints and insinuates depth while viewed. True to ‘Minimalism', Arpit ingeniously employs less number of forms, if not ‘objects', with refined lines and subtly rendered textures and even the untainted and unmixed hue becomes subservient to the form as it is utilized only for mere delineation of space rather than creating any sort of mood as such. His ‘reductivist' ideas about sensuously executed compositions further can be traced in reiteration of shapes, which are however, vigilantly exploited working and reworking on all his ‘known' perceptions and probing into the undisclosed/unrevealed dimensions and to end with, like an empiricist, the artist examines what exists and what does not.

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