Who: Taku Unami: one of the most hardcore conceptual improvisers in the world, and (amongst many other things, but worth a mention for this performance) death/ black/ sludge metal fan .
What: May include: cardboard boxes, metal guitar, critical homage, attempts to describe things you can't describe, film. A one-man Grand Guignol school play.
Why: What is a truly experimental performance? Maybe one that gives us no clue as to what a proper response to it might be, or to what it might mean? Invigorating, perplexing, absurd, refined, none of these: maximal anti-understandabilityâ¦
A note from Taku:
Where does the meaning of objects come from?
A chair exists to be sat on?
A cardboard box exists to contain something?
A beer bottle exists to have beer inside?
A guitar is to be played?
Music is to be listened to?
An audience is to listen?
What is the meaning of the relationships between objects?
Do these questions exist to be answered?
And if an answer exits, perhaps it's nothing? Or it could be anything?
Art form Toggle
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