Exhibition

Thomas Eggerer. Todd

8 Sep 2017 – 14 Oct 2017

Regular opening hours

Monday
Closed
Tuesday
10:00 – 18:00
Wednesday
10:00 – 18:00
Thursday
10:00 – 18:00
Friday
10:00 – 18:00
Saturday
10:00 – 18:00
Sunday
Closed

Petzel Gallery

New York
New York, United States

Address

Travel Information

  • DIRECTIONS: via subway take C or E train to 14th Street at 8th Avenue, walk 4 blocks uptown to 18th street and 2 Avenues west towards 10th Avenue. The gallery is between 10th and 9th Avenues.

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Thomas Eggerer’s new paintings in Todd, the artist’s sixth solo show at Petzel, present the viewer with aerial views of street surfaces—topographical evolutions of Eggerer’s longstanding interest in public spaces.

About

Each square canvas features precisely choreographed fragments of resting bodies, cutting in from the margins of the painting. This temporal occupation is contrasted with a circular “lid” or “cover” and intersecting parallel diagonals. The lids carry institutional significance, pointing to municipal authority, which contrasts with the transient fragility of leisurely carnal exposure. The lids also emphasize the presence of a concealed space underneath, quintessential to New York street life.

While the aerial viewpoint allows for voyeuristic surveillance, the 90 degree rotation from the birds-eye vista to the gallery wall, generates a vertiginous perspective where gravity and weight become factors. The resulting destabilization of a fixed viewing position is further augmented by the fact that the paintings appear to gyrate around the lids, subjecting the bodies to centrifugal forces and pointing to the space beyond the margins of the canvas.

The fragmentation of the bodies has a limiting effect on the bodies’ self-determination, and yet, perhaps as a consequence, it intensifies the fetishistic charge of the exposed skin, which is rendered in great detail like all other parts of the paintings. This attention to detail appears to be a new development in Eggerer’s work, which has previously exploited tensions between line and color or the “finished” vs. the “unfinished”. Hands appear to play a particular role here; while the purpose of the body as a whole is often unclear, manual activities are rendered with exacting precision (touching, holding, pushing). These gestures and poses appear somewhat out of place in a public space. The street floor is not treated like a part of the urban arena but rather like a natural domestic habitat.

Art form Toggle

Exhibiting artists

Thomas Eggerer

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