„SIKSA. Stabat Mater Dolorosa”
Musical about Death and the Maiden
Musical based on SIKSA's "Stabat Mater Dolorosa" is a performative dream of making a movie come true, where both the dream and the movie are like chewing gum that has been tasteless for too long. A nostalgic invitation to a dancing story about a girl returning to her childhood, when she dressed up as different women using her mother's wardrobe, and all the roles she played were to please herself. This film is a tool for reconstructing the scenes from the youth, as well as a baroque farewell to all the glitter and unicorns. Stabat Mater Dolorosa is like a bayonet slashing through modern times. She gives us micro-performances with all her body, and at her own risk. SIKSA's music is the scenario rejected, grinded, spat out, negated and intensified by the characters. Piotr Macha's camera is one of the murder weapons that SIKSA would like to use to fuck up the modern reality. It's a language of art that SIKSA has been using almost unnoticed since 2014. A gun, a girl and death – those are the times we live in.
Siksa (Alex Freiheit: scream and lyrics & Piotr Buratyński: bass guitar noises) is the most divisive Polish artist in recent memory, whose radical and brutally honest performances are smashing the patriarchy one gig at a time. Coming from punk, literary and theatre backgrounds, her shows dissect the Polish consciousness. To quote her own words, she's a girl on a mission.
Exhibition by Piotr Fladro (1983) at Working Man Gallery ,,THERE HAS TO BE ORDER,,
Piotr Fladro is a Polish artist who is currently living and working in Germany. He is a graduate of Faculty of Ceramics and Glass at the Wroclaw Academy of Fine Arts. He works with a wide range of different materials and mediums of which must bring out his interest for rejected machines or “coprolites of civilization’s machine,” as he calls them.
In his exhibition at Working Man Gallery the artist show his works created over his residential stay. By a wellknown cliche that describes German culture ,,Ordung Muss Sein,, (There Must Be Order) Piotr questions human nature and direction of man-manchine relation. The observation of multicultural state, dependant on industry and physical work of labour in inevitable atomatation process, culminates in mixed - media paintings and sculptural works that are combined into one organic ecosystem.