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John Everett Millais, The Blind Girl, 1856. Image: Birmingham Museums Trust, licensed under CCO.
Exhibition
coming soon
Scent and the Art of the Pre-Raphaelites
11 Oct 2024 – 26 Jan 2025
Regular hours
- Friday
- 10:00 – 17:00
- Saturday
- 10:00 – 17:00
- Sunday
- 10:00 – 17:00
- Tuesday
- 10:00 – 17:00
- Wednesday
- 10:00 – 17:00
- Thursday
- 10:00 – 17:00
Free admission
Address
- University of Birmingham
- Edgbaston
- Birmingham
- B15 2TS
- United Kingdom
Travel Information
- By Bus: Nos 61, 62 and 63 leave the city centre (Corporation Street or Navigation St). The bus stops at the bottom of Navigation Street (ask for the University).
- By Car: Take the A38 (Bristol Road), turning onto Edgbaston Park Road. Parking is available in the University's South Car Park, with the Barber Institute situated at the top of the hill opposite King Edward's School, two minutes walk from the car pa
- By Train: University Station is a five minute walk from the Barber Institute on the campus. Trains leave New Street station regularly and take approximately 10 minutes.
Scent is a key motif in paintings by the artists of the Pre-Raphaelite and Aesthetic movements.
About
Fragrance is visually suggested in images of daydreaming figures smelling flowers or burning incense, enhancing the sensory aura of ‘art for art’s sake’. Scent was also implied in Victorian painting to evoke hedonism – pleasure in exquisite sensations – and a preoccupation with beauty; or to reflect the Victorian vogue for synaesthesia (evoking one sense through another) and the penchant for art, like scent, to evoke moods and emotions.
Motifs of scent and smell intersected with the most vociferous discourses of the day, including sanitation, urban morality, immigration, race, mental health, faith, and the rise in women’s independence. Many 19th- and early 20th-century notions about smell – that it is the manifestation of disease, that rainbows radiate the fragrance of dewy meadows, or that highly-perfumed flowers are asphyxiating – seem outlandish today.
Yet this exhibition demonstrates how an understanding of these and other largely forgotten ideas about smell bring to the fore significant aspects of these extraordinary artworks.
This landmark exhibition is curated by Dr Christina Bradstreet, author of Scented Visions: Smell in Art, 1850-1914 (PSU Press, 2022). It highlights the role of the olfactory sense and its significance for some of Britain’s best-loved art treasures. from collections across the United Kingdom. Artists featured include Eleanor Fortescue-Brickdale, John Frederick Lewis, John Everett Millais, Evelyn De Morgan, Dante Gabriel Rossetti, Simeon Solomon, and others.
Visitors to the exhibition will be able to participate in an optional scent experience that will enliven the scents suggested in certain paintings. A wide-ranging programme of events exploring art and scent will accompany the exhibition.
