Artist Bruno Zhu reads excerpts from his print-on-demand book Facsimile I.
The book tracks the re-blogging of a single image posted by Zhu to his Tumblr page. Each time it was re-blogged, it appeared alongside text by the page owner usually of an autobiographical nature. Zhu suggests these texts document their authors' âcritical view towards the world through a dialogue of âone-liner' attitudes, graphic gimmicks and visual appropriation'.
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