University of Warwick Curator, Sarah Shalgosky, says: “Room is a show that was a huge success in London because there is something for everyone: from people who like the detail of dolls houses, to people with a dark sense of humour who can relate to the teenager’s room, to those who will love the beauty and the pathos of the little shacks constructed from debris, to those who will travel to see a rare work by one of the twentieth century’s most famous artists, Louise Bourgeois. Plus we have made a fabulous den for children (and adults) to crawl in and make their own rooms.”
Curated by Laura Lord from Sadie Coles HQ, London, Room reflects the multiple, often concurrent, meanings and functions of the room. It represents work produced from the 1970s to present day, which envisage the room as an erotically charged or psychological space, alongside pieces which emphasise the structural or aesthetic properties of interior space.
Nan Goldin’s photographic series, Empty Rooms, Berlin/Hamburg (1983-96), taken in brothels, hotels and gay bars, speaks of absent human subjects and activities that have taken place there. Beverly Buchanan’s series of miniature houses (2009-12), roughly crafted out of wood, allude to shacks, cabins and other basic human dwellings, including those damaged by hurricanes. Heidi Bucher’s Herrenzimmer (1977-78) or ‘room skin’ is an installation made by moulding, in skin-like sheets of latex, the interior of her father’s study in the parental home. The exhibition also includes Cell XVII (Portrait) (2000) by Louise Bourgeois, in which a single elongated head is housed within a glass-fronted cage: a structure both protective and imprisoning. Together, such works depict the room as a tangible entity, rooted in a specific place and time, and yet charged with emotional and imaginative resonance.
Includes work by Louise Bourgeois, Beverly Buchanan, Heidi Bucher, Marvin Gaye Chetwynd, Nan Goldin, Klara Lidén, Hilary Lloyd, Sarah Lucas, Joanna Piotrowska, Penny Slinger, Andra Ursuta, Francesca Woodman.