The term ‘gut feeling’ describes a sense of intuition, or, a hunch, which, according to half-forgotten folklore and recent scientific discoveries, links activities of the gut with the brain.
In collaboration with a renowned fermentation specialist, scientists, fellow artists, local residents and small businesses, R. Narkus has created a social sculpture in one of the last remaining non-gentrified piazzas in Venice’s Castello district; producing a surrealist cooperative making a mysterious product from seaweed harvested from local waters. This species of algae, Undaria pinnatifida, also known as Wakame, is an invasive plant that has spread from Asia to the rest of the world — including Venice — as a result of globalisation. It is one of the most nutritious and rapidly renewable food sources, with ostensible potential to solve the imminent nutritional scarcity of Earth’s rapidly growing population.
The Pavilion is divided in two. One part of the premises is dedicated to experiments and production, while the other is for representation and distribution: mimicking structures of capitalist production. The total-installation features distorted elements of laboratory, factory and shop, producing futuristic experiments made in situ with organic material and automated and programmed parts making repetitive gestures. It is intertwined and supplemented with photo collages, sculptures and videos.
Influenced by the collaborative and social engagements galvanising art practices in the 1990s, R. Narkus’ work unfolds in the tension between the form of an artwork, the representation of conceptual basis, and the temporal, collective experience of its development and reception. Gut Feeling brings together and engages diverse social groups and individuals who have contradictory interests and aspirations — the project becoming a tool that provokes this type of encounter.
As an initiator of numerous experimental art, management and food production organisations, R. Narkus often draws inspiration from the world of business and start-ups. By juxtaposing the spirit of optimism and drive with the often invisible by-product — the bitterness of failure — he creates tragicomic works. In what may be viewed as an almost casual mash-up of fashionable objects and trends, fragments of the latest theories and the strategies of contemporary art, Robertas Narkus builds a multi-layered and deliberately hyperbolic reflection of our time.