Dense oil and encaustic portraits of Kalenderian’s friends and family evoke the effects of time on memory and representation. The figures sometimes dissolve or disintegrate into their surroundings, occasionally into the material of the painting itself. Exhibited alongside these new portraits are several large-scale works, including landscapes – not the pastoral environments of an idealized natural world; but a reckoning of their own, impacted by crisis and activated by abstraction. In a departure from traditional modes of representational painting, Kalenderian uses figures and landscapes to negotiate inner and outer states. In these paintings an inventive approach to paint handling, where brush marks dissolve images, and darkness is built up in layers, creates moments where the mechanism of painting is its own subject.
The residue of previous compositions is revealed as Kalenderian utilizes a palette knife to uncover drawings, under-paintings, and previous versions of his subjects and himself. This tension between erasure by excavation and the layering of material over previous images heightens the spectral mood of Kalenderian’s paintings. Each work contains the potential of a single moment rendered in many different forms; simultaneity as an infinity of potential outcomes.
Raffi Kalenderian graduated with a BFA from UCLA in 2004. His work has been featured in solo and group exhibitions at Galerie Peter Kilchmann, Zurich, Switzerland; the Saatchi Gallery, London, UK; University Art Museum, Long Beach; Kunstmuseum St Gallen, St Gallen, Switzerland; Eleven Rivington, New York, NY; and at Co-Lab, Copenhagen, Denmark.