Practice Makes Perfect. Rosa-Johan Uddoh

About

Book a time slot to visit the exhibition here. Tickets are free of charge. Booking isn’t essential but you might be asked to wait if the gallery is busy due to the need to limit numbers in the gallery.

‘Practice Makes Perfect’ explores the relationship of childhood education with popular ideas of the British nation, and how this forms British subjects. This develops Uddoh’s practice exploring the effects of black British popular culture on self-formation. Responding to the current debates about black history within the National Curriculum and urban space, Uddoh has approached the creation of new work for this exhibition as therapeutic ‘wish fulfilment’ in a time of uncertainty in education and wider racial tension.

During Autumn 2020, Rosa-Johan Uddoh worked with Year 8 pupils at Chase Secondary School in Southend-on-Sea to create performance-to-camera videos, developed through a series of workshops that considered the content and format of Uddoh’s written work, WINDRUSH: A TONGUE TWISTER, as a means to express the wishes of the young participants around a diverse curriculum. Investigating the importance of the school experience and ‘rehearsing’ as ‘becoming’ or gaining subjectivity, this exhibition shares a collaborative process of acting on the potential of a dream education, according to the possibilities of the school schedule and the public gallery setting.

Another major new work by Uddoh investigates the historical figure of Balthazar who was, according to tradition, one of the three biblical Magi and later Saint, who visited the infant Jesus after his birth to offer the gift of myrrh. Depicted since medieval times as a lone black figure in artistic imagery of the Nativity scene, this King is also one of the first performed encounters by school children with a black person of importance. Historically, Balthazar is also a figure through which white artists and their patrons first constructed ‘blackness’. Through her research, with the assistance of Nasra Abdullahi, Uddoh has found and catalogued around 150 historical ‘Balthazars’ previously tokenised in ‘Adoration’ paintings made throughout European history. Thinking about the real, black European sitters for these paintings, behind the Christian symbolism, Uddoh’s billboard-style collage brings these black kings together in friendship groups on a long march to irreversibly change the West.

In connection with this exhibition, FPG and Book Works are pleased to launch Practice Makes Perfect, the first book by Rosa-Johan Uddoh, in partnership with Bluecoat, Liverpool and The Bower, London in Spring 2021. The book comprises a collection of scripts by Uddoh, each aiming to trouble how a particular character in popular culture performs (and produces) ‘black British’ identity. Presented as scripts, sheet music & instructional worksheets, the reader is encouraged to insert their own experiences and interpretations, in their head or through live performances of their own. Selected texts will also be exhibited as works on paper within the exhibition. The book is designed by Rose Nordin.

Commissioned by Focal Point Gallery, ‘Practice Makes Perfect’ is presented in partnership with Bluecoat, Liverpool where the exhibition will tour later in the year.

The book is published by Focal Point Gallery and Book Works, in partnership with Bluecoat, Liverpool and The Bower, London

With thanks to support from Southend-on-Sea Borough Council and Arts Council National Lottery Project Grants.