Event

Points of Listening # 22 Sound at the End of the Tunnel, With Antoine Bertin

10 Feb 2016

Event times

18.00 start

Cost of entry

Free with limited capacity - To reserve a place email: markpeterwright@gmail.com

Save Event: Points of Listening # 22 Sound at the End of the Tunnel, With Antoine Bertin

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London College of Communication

London, United Kingdom

Address

Travel Information

  • 1, 12, 35, 40, 45, 53, 63, 68, 100, 133, 148, 155, 168, 171, 172, 176, 188, 322, 333, 343, 344, 360, 363, 453, C10, P5
  • Bakerloo and Northern line
  • Thameslink to Elephant & Castle
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Points of Listening (PoL) is a monthly programme of listening workshops, activities and discussions based in and around London. This months PoL is by Antoine Bertin on Sound at the End of the Tunnel.

About

Is there a connection between animal burrows, prehistorical caves and space observatories?

As part of the development of a new project, which involves the construction of a human scale animal burrow, Antoine Bertin will utilise the participatory format of PoL to converse and explore collectively on the relationship between listening and underground spaces. The experimental event will take place within a collaboratively imagined tunnel, in the form of a live radio show and a DIY virtual reality experience.

No tunneling or recording experience necessary!

Antoine Bertin is known for his performative and unpredictable approach to listening. He is interested in the process of recording as an opportunity to make connections between people, animals and outer space.http://www.antoinebertin.org

 

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Free with limited capacity - To reserve a place email: markpeterwright@gmail.com

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Points of Listening (PoL) is a monthly programme of listening workshops, activities and discussions based in and around London.

PoL is a Creative Research into Sound Arts Practice (CRiSAP) project.

PoL is co-convened by: Salomé Voegelin & Mark Peter Wright.

What to expect? Toggle

CuratorsToggle

Mark Peter Wright

Salomé Voegelin

Exhibiting artistsToggle

Antoine Bertin

Organised by

CRiSAP, Creative Research into Sound Arts Practice

London, United Kingdom

Supported by

London College of Communication

London College of Communication

London, United Kingdom

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