Paul Wackers’ work provides a glimpse into an intimate world, where objects and abstractions coalesce into personal and historical narratives. Through the juxtaposition of natural and synthetic textures and objects both mundane and iconic, Wackers’ work acts as both a record of his own domestic routine and surroundings, and as a lens into collective human experience and historical change. Here the everyday and the universal find equal footing in their distillation into singular, evocative artifacts.
For Wackers, the title Early Settlers reflects exploration into uncharted territory. These works chronicle a personal and social search for new anchors, networks, and connections amidst a vast and chaotic unknown. Landscapes of irregular perspectives, fragmented objects, and enigmatic rooms present unexpected barriers to entry and understanding. Here is a fully contemporary world, wherein changes in the global political and social climate call into question even the most mundane details of life. The objects are everyday, but when re-contextualized in ambiguous settings, they suggest instability, separation, and uncertainty.
These environments, though, are by no means closed off or hopeless. A persistent sense of playfulness reminds us of the moments of joy in the everyday. In many cases, the presence of the natural world offers access to spaces of calm--a clearing in the dark woods, a literal or metaphorical light--and the continued existence of both physical and mental solace is reaffirmed, even if hope feel momentarily out of reach.