Patrick Fabian Panetta. A Journey Through Vibrant Space

25 Nov 2016 – 17 Dec 2016


Berlin, Germany


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Whenever a searching eye encounters barren land, it seeks for shelters that can provide potential sites for hiding and creation. Arid tree trunks become essential elements of orientation – relics of a life cycle on deserted soil. The Land of Nod is such a place in the Book of Genesis, located on the ‘east of Eden’, where Cain chose to flee after murdering his brother Abel. There, as vagabond, he was condemned to wander the land forever.

The location east of Eden is explicit and so named on biblical maps, such as Ortelius’ and Mercator’s. Historical representations of the Land of Nod usually show vast and vacant landscapes, where several paths lead in all directions. On such a journey not to find one’s way does not mean much, entry points could be anywhere. It requires a lot more to lose one’s way as one loses one’s way in a forest.

The Land of Nod is also an English idiom for the imaginary realm of sleep and dreams, followed, one assumes, by waking up. Only emerging from sleep makes a sleep what it is: a restless subconsciousness surrounded by a state of external quiescence, providing the mind with a protection for regeneration.

Both conceptions suggest that the potentiality of absence denotes the state of being away. Here, existence (being) becomes an implicit expectation, because it comes prior to presence (being there) as the necessary premise for the recognition of absence. A Journey Through Vibrant Space.

Excerpt from Sandra Meireis: East of Eden, 2012

Exhibiting artists

Patrick Fabian Panetta


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