Exhibition

Paolo Scheggi: In Depth

3 Jul 2019 – 15 Sep 2019

Regular hours

Wednesday
11:00 – 18:00
Thursday
11:00 – 20:00
Friday
11:00 – 18:00
Saturday
11:00 – 18:00
Sunday
12:00 – 17:00

Cost of entry

£7.50, Concessions £5.50
National Art Pass £3.75
Free to school children and full time students with valid NUS ID card.
Admission to café and shop free.

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Estorick Collection of Modern Italian Art

London, United Kingdom

Travel Information

  • Highbury & Islington
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Paolo Scheggi (1940-1971) belonged to the neo-avant-garde of the 1960s and was one of the protagonists of Spatialism. This exhibition spans the artist’s entire career, including his most famous works formed of overlapping layers of canvas pierced by biomorphic or geometric openings.

About

Born in Florence, but Milanese by adoption, Paolo Scheggi (1940-1971) was one of the protagonists of Spatialism and the neo-avant-gardes of the 1960s. This exhibition, organized in collaboration with the Associazione Paolo Scheggi, is the first to be dedicated to the artist by a museum in Britain, and spans his brief yet endlessly inventive career. Scheggi is best-known for his vibrant canvases incorporating elliptical or circular openings; these built on the pioneering example of Lucio Fontana, who represented something of a spiritual father to him during the early years of his career. However, Scheggi was a multifaceted artist whose work embraced many spheres of creative activity with striking coherence.

In Depth features Scheggi’s early works in sheet metal, as well as the iconic Reflected Zonesand Intersurfaces of the 1960s, which were constructed from three brightly coloured layers of canvas. It also explores Scheggi’s extension of the artwork into space through sculptural installations and environments, as well as his theatrical and performance projects of the late 1960s. The show concludes by considering the conceptual works of the early 1970s, and also includes examples of Scheggi’s collaboration with the worlds of theatre and fashion. Exploring the relationship between the viewer and the artwork, Scheggi’s paintings and constructions provide an immersive, interactive experience that takes us beyond the surface of things in more than just a literal sense.

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