Exhibition

Pablo Picasso: Portrait Lithographs

24 Mar 2011 – 20 Apr 2011

Regular opening hours

Monday
Closed
Tuesday
10:00 – 18:00
Wednesday
10:00 – 18:00
Thursday
10:00 – 18:00
Friday
10:00 – 18:00
Saturday
10:00 – 18:00
Sunday
10:00 – 18:00

Cristea Roberts Gallery

London, United Kingdom

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About

Alan Cristea Gallery presents an exhibition of rare portrait lithographs by Pablo Picasso, from 24 March until 21 April 2011. Lithography, a method for printing using a stone or metal plate, was a medium which fascinated Picasso; this exhibition charts the decade from 1945 which saw his most prolific period of activity in the medium through a tightly edited group of just 16 works representing some of the best and rarest examples. The majority of these works, many depicting his mistresses, were only produced as copies of successive stages of a stone or plate and as such never intended for public display and distribution; consequently these artists proofs are highly sought after by collectors around the world. During the 20th century, a group of celebrated artists including Chagall, Matisse, Miro and Picasso rediscovered the largely unexplored art form of lithography, thanks to the Mourlot Studios, a Parisian print-shop founded in 1852 by the Mourlot Family, which was transformed when the founder's grandson, Fernand, invited a number of leading artists of the day to explore the complexities of fine art printing. During the war Picasso had been starved of the associations so necessary to him with fellow artists, poets and craftsmen and one can speculate that the opportunity of renewing a daily relationship with a master printer was of great personal and professional appeal to him. Picasso made numerous single images during these years but, in most cases, he would develop and transform a theme through many stages of a stone or plate. This exhibition focuses on his lithographic portraits of women, including his muses Francoise Gilot and Marie-Thérèse Walter, in which this transformative process is particularly prevalent. The exhibition consists of both reserved" proofs (showing successive stages of prints which Picasso preserved as a record) and several final, editioned signed and numbered prints.

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