Exhibition

OSTRALE Biennale for Contemporary Art

28 Jul 2017 – 1 Oct 2017

OSTRALE Biennale for Contemporary Art

Dresden
Saxony, Germany

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About

Ostrale’Biennale

The OSTRALE – Biennale is the third largest exhibition for contemporary art in Germany. It is not a sales exhibition per se, which gives us the freedom to discuss socially relevant issues apart from the market development. OSTRALE’s guiding principles, such as peaceful coexistence, acceptance of the stranger / unknown, respect for each other, religious diversity and internationality, are reflected in the exhibitions.

There is close cooperation with Dresden institutions, collectors and galleries as well as with international curators, biennials and cultural institutions. This is how new ways and possibilities are opened up to go abroad. Among other things, we will be in the European Capital of Culture in Valletta (Malta) in 2018.

Furthermore, we maintain good contacts with Saxon schools, which use the OSTRALE for educational purposes. 9,300 pupils and students were at the OSTRALE in 2016 alone. In addition to the exhibition, we offer an extensive framework program (music, dance, performance, etc.). The barrier-free infrastructure, a blind and hearing-impaired app, as well as targeted workshops with special target group participation, enable socio-cultural participation.

„re_form“

By definition a reform is a systematic and non-violent change of existing conditions without ignoring the essential intellectual and cultural foundations. The aim of a reform is improvement. Contemporary Art can ask questions and generate solution approaches in a nessecary re_form-process. The guiding theme „re_form“ deals especially with the question of organised change of existing cultural policy and cultural systems in Europe, Germany and particularly in our town, that is preparing to apply as „European Capital of Culture 2025“.

1. Ideas for a re_form concerning ourselves

By switching from an annual exhibition to a Biennale-concept OSTRALE itself is in a state of re_form. Furthermore, the special exhibition space of OSTRALE in the heritage protected buildings of the outstanding architect Hans Erlwein have to be rehabilitated after the exhibition in order to enable a further use.

2. re_form in Art

re_form is a basic element of Art and essential feature of creativity and artistic work. The pieces of Art function as mediators. Unlike the times of the Avantgardes it seems today that statements of novelty in Art are mostly based on rediscovery and forerunnership. What moves artists to turn increasingly to role models and how do the associated homages, references, quotations and appropriations reveal in the respective piece of Art? Which prospects emerge for the future from studying the past?

3. re_form: A question of identity

The 11th edition of OSTRALE will take up an essential topic of the European Capitals of Culture: We raise the questions about human identity and new spaces in light of the refugee and migration movements in past and present, an amplified tendency toward nationalism as well as the dissolution of the European community of values (e.g. „Brexit“). Could Art in its materiality be a bridge between different identities, that overlap but don’t merge?

Outlook 2017

– New invitation process

– Development of new European partnerships (cooperation projects)

– Support of new EU projects and European exchange

– School programs in light of artistic mediation and education policy

– Artist in Residency programs

– Discussions, expert panels

Further topics that move us in 2017

A) Theory of the „creative class“

If cities brand themselves as creative, economic growth will follow. This was stated by Richard Florida. The american economist saw a correlation between the economical strength of an urban region and the relation between highly industrialized workers, artists, musicians and homosexual people. Florida’s theory found its way into urbanism and city planning. But: Who will profit from the generated prosperity? Frequently „creative professional groups“ form a complete city zone and make it more attractive just to watch a following, ruthless economic takeover!

B) A pilgrim’s path to Art or why opening urban spaces is so important

Travelling to Art places, especially if they are out-of-town and in relatively unknown areas, can touch, amuse, influence or even change humans as strongly as Art itself. The journey creates new ways of thinking. It is important to show Art even on hard-to-reach locations. The involved voyage is a meaningful effort, physically and mentally.

C) re_form & reformation, Luther, Reformator, 500 years

The placarding of the 95 propositions 500 years ago paved the way for a new and free, independent thinking and the freedom of conscience concerning faith and Christian doctrine. The human being has a free will – especially making seperate choices concerning religious matters. What do we think about this issue today?

Curators

Mykola Dzhychka

Holger Wendland

Andrea Hilger

Oliver Kratz

Detlef Schweiger

Exhibiting artists

Małgorzata Myślińska

Jakub Najbart

Feng Lu

Ulrike Mundt

EA011665 Jennifer Renee Hoffert

Anka Leśniak

Marcin Owczarek

Rostyslav Koterlin

Carsten Busse

Serge Feeleenger

Ruhepuls

Henri Deparade

Stephanie Marx

Frenzy Höhne

Kevin Cooley

Iwona Ogrodzka

Urban Grünfelder

Martyna Jastrzebska

Francesco Palluzzi

Paolo Assenza

Manuel Frolik

Sergij Grigorjan

kamarade.A

Thomas Judisch

Lili Anamarija No

Parasite

Julia Kurek

Piotr Korzeniowski

Moe Matsuhashi

Pätzug/Hertweck

Kamil Kuzko

Viola Fátyol

Michiel Frielink

Peter Blase

Till Ansgar Baumhauer

Marleen Andreev

Sergiy Petlyuk

Katrin König

Yuriy Borynets

Philipp Gloger

Daniel Heil

Ales Pushkin / Janak Kouzel

Parastou Forouhar

Diamante Faraldo

Kerstin Junker

Stephanie Lüning

Hanif Lehmann

Marianna Glynska

Max Gehlofen

Jonas Lewek

Chris Löhmann

Rao Fu

Mavi Garcia

Olga Kukush

Peter Makolies

Katerina Belkina

Katerina Belkina

Sonja Lambert

Fernando Sánchez Castillo

Ulrich Heemann

Michael Goller

Bence Bakonyi

Julius Georgi

Salokin Ztark

Matthias Jackisch

EA011521 Marco Horn

Heinz Bert Dreckmann

Anya Janssen

Christian Chrobok

Jarosław Klupś

Franciszek Orłowski

Yuri Mechitov

Arne Kalkbrenner

Inside Job

Nathalie Bertrams

Dani Nordt

Constanze Deutsch

Thomas Kretschel

Karin Odendahl

Karen Gäbler

Andrea Lehnert

Carolin Koss

Elisa D'Urbano

Faig Ahmed

Recycle Group

Alexander Nym

Said Dokins & Leonardo Luna

abitalbero

Yuliya Gomelyak

Institut für analytische Kryptometrie

Klasse Deggeller

Giovanni Gaggia

Melanie Kramer

Denizhan Özer

Kay Kaul

Lutz Krutein

Dawid Marszewski

Geert Mul

Pereklita Igor

Pawel Napierala

Kerstin Franke-Gneuß

COOP

Philine Görnandt

Marlet Heckhoff

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