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Marjorie Strider, Girl with Radish, 1963. Acrylic on laminated pine on Masonite panels, 72 x 60 in. Collection of Ruth and Theodore Baum, New York/Palm Beach, FL
Exhibition
New York: 1962 - 1964
22 Jul 2022 – 8 Jan 2023
Regular hours
- Friday
- 11:00 – 16:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
- Monday
- 11:00 – 18:00
- Thursday
- 11:00 – 18:00
Cost of entry
Adult: $18 (Concessions available)
Address
- 1109 5th Ave
- New York
New York - 10128
- United States
New York: 1962-1964 explores a pivotal three-year period in the history of art and culture in New York City, examining how artists living and working in New York responded to their rapidly changing world, through more than 150 works of art—all made or seen in New York between 1962-1964.
About
New York: 1962-1964 uses the Jewish Museum’s influential role in the early 1960s New York art scene as a jumping-off point to examine how artists living and working in New York City responded to the events that marked this moment in time.Presenting works by Diane Arbus, Lee Bontecou, Chryssa, Merce Cunningham, Jim Dine, Melvin Edwards, Dan Flavin, Lee Friedlander, Nancy Grossman,Robert Indiana, Jasper Johns, Donald Judd, Ellsworth Kelly, Yayoi Kusama, Norman Lewis, Roy Lichtenstein, Marisol, Agnes Martin, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Yvonne Rainer, Robert Rauschenberg, Faith Ringgold, Larry Rivers, James Rosenquist, Miriam Schapiro, Carolee Schneemann, George Segal, Jack Smith, Harold Stevenson, Marjorie Strider, Mark di Suvero, Bob Thompson, and Andy Warhol, among many others, the exhibition aligns with the years of Alan Solomon’s tenure as the Jewish Museum’s influential director. Solomon organized exhibitions dedicated to what he called the “New Art,” transforming the Jewish Museum into one of the most important cultural hubs in New York.
During the timeframe explored in this exhibition, epoch-changing events—such as the Cuban Missile Crisis (1962), March on Washington for Jobs and Freedom (1963), and the assassination of President John F. Kennedy (1963)—fundamentally altered the social and political landscape of New York City, and the nation. An unprecedented economic boom broadened the array of available consumer goods, and an expanding media network introduced new voices into increasingly urgent conversations about race, class, and gender. Emerging in this context, a generation of New York-based painters, sculptors, dancers, filmmakers, and poets rose to prominence, incorporating material directly from their urban surroundings and producing works that were as rich and complex as the city itself.
