Exhibition

Natalie Dray: Dray

29 Jan 2015 – 8 Mar 2015

Regular hours

Thursday
12:00 – 18:00
Friday
12:00 – 18:00
Saturday
12:00 – 18:00
Sunday
12:00 – 18:00

Save Event: Natalie Dray: Dray3

I've seen this

People who have saved this event:

close

Cell Project Space

London, United Kingdom

Address

Travel Information

  • bus lines: 26, 48, 55, 106, 236, 254, 277, 388
  • Bethnal Green station
  • Cambridge Heath Road station
Directions via Google Maps Directions via Citymapper
Event map

Cell Project Space presents a new body of work by London-based artist, Natalie Dray, and her first solo commission for the gallery.

About

Dray’s work is situated between the representational strategies of manufacturing, commerce and art, using all these fields as a common site of production. The works combine stereotypical patterns of automated engineering processes and human gesture typical of computer customisation. Choosing the arena of self-taught computer assembly, Dray undermines the power positions of the individuals dominating this activity and the markets, which orchestrate the brands themselves. By adopting strategies of reverse engineering of real mass-produced appliances the artist breaks down established relationships between modes of production and creation. The objects are remodeled to produce ‘a concept’, ‘a functional ideal’, and penultimately the resolve for artistic expression, challenging the juxtaposition between human gesture and computer superiority.

Presented in a formal style reminiscent of showroom presentation the exhibition quotes from the strategies of 1960’s minimalist art, although merely a point of departure for Dray.  Factory-made to fit the logical electrical requirements for the gallery, artworks are treated as appliances. Dray resists specific aesthetic decision-making processes and relies on the functionally configured architectural standards for the building to reveal an existent template for the artist to work with. The structure and floor plan of the gallery become agency for the exhibition, with electrical functions of appliances synchronized and programmed, dictated by the capacity and availability of power in the room.  Dray’s assessment of the works and consistent refusal to bypass function is based on a stringent protocol of security and safety standards outlined by the UK’s manufacturing regulatory body. Her methods aim to challenge the conventions of uniform engineering by hacking the hidden mechanics and functions of consumer products to reveal the reductionist strategies used by manufacturers today. By revisiting the masculine tropes in contemporary art, issues around a product’s political currency and social value, as well as the potential impact of how material and colour can effect response resonates within Dray’s application of metal finishes, detail and colour. The gallery becomes showroom in a ‘pumped up’ vision of industrial innovation and the artist’s signatory laser cut branding sits immovable inside hard-edged powder coated steel as the symbols of household and corporate efficiency are replaced by consumer desire. 

Generously suported by the Arts Council of England

Exhibiting artistsToggle

Natalie Dray

Comments

Have you been to this event? Share your insights and give it a review below.