This new exhibition, commissioned in partnership with Gallery of Photography Ireland, offers fresh perspectives on China, where traditional landscape clashes with present-day development.
The epic project follows a simple premise: to document the 6,211km route of the river from source to delta, using a strict Y Points System to photograph every 100 kilometres. Made over a period of four years, Yan Wang Preston travelled to the remote high Tibetan Plateau through the Three Gorges to the river’s end at Shanghai. She had to find and photograph sixty-three locations in incredibly diverse and often remote terrain. Since the river source is 5,400 metres above sea level, and half of its length flows through some of the most majestic mountains on the Earth, Mother River is on one level a modern-day adventure, where the photographer faced hazards from altitude sickness to mudslides.
Preston used a large-format field camera, the kind used by nineteenth century explorers. Although cumbersome and complex to use on location, the camera produces huge negatives, offering images with astonishing detail and resolution.
For Chinese-born Preston, Mother River is in part an epic pilgrimage through her native country: an exhaustive exploration of a powerful symbol that reconnects her with the ancestral homeland. Closely associated with Chinese traditional paintings and an icon of the national landscape, the Yangtze represents the folklore of traditional China. However, with over 30 hydroelectric dams on its course, the river is synonymous with China’s rapid industrialisation. Preston hopes Mother River will raise questions about the relationship between nature and culture, tradition and regeneration.
Mother River is part of Views from China, a special six month programme of exhibitions and events at Impressions, taking a fresh look at Chinese culture and the long standing links between the UK and China.
A touring exhibition from Impressions Gallery and Gallery of Photography Ireland.