Shogo Haraguchi – Fretless Bass, Pedals, iPad
Mehata Sentimental Legend – Vocal, Pedals, Kaoss Pad
Ryan Jahn – Singing Bowls, Harmonium
Tianna Kennedy – Cello
Chad Laird – Guitar, Electronics
Kirsten Nordine – Keyboard
Ted Robinson – Clarinet, Electronics
Kelly Rudman – Percussion, Electronics
Reflective and raucous, from Bushwick to Toyko. The final night of Mixology Festival 2018: Circuit Breakers showcases Japanese duo GAIAMAMOO playing textured, noisy improvised music accompanied by video projections of Japanese Noh by Hiroshi Mehata, a.k.a. Mehata Sentimental Legend. The duo focuses on the intersection of sight & image, demonstrated by improvised sounds and abstract visual patterns. Afterwards, Bushwick collective Jantar performs Others, Who Will Follow Us, a new work consisting of video elements and improvised acoustic and electronic instruments in various combinations.
GAIAMAMOO is an experimental improvisation group formed in 2012 by Shogo Haraguchi and Mehata Sentimental Legend from Tokyo. In 2015, GAIAMAMOO were chosen to perform during the Sound Live Tokyo festival, organized by Pacific Basin Arts Communication (PARC), and also performed on “New Sound Sanctuary.” In 2016 and 2017, the duo toured California and New York City, appearing on Ridgewood Radio on WFMU broadcasted by Outpost Artist Resources. GAIAMAMOO also appeared in Festes Majors Alternatives de Vallcarca (Barcelona, 2016), eight-hour noise marathon festival GIGANOISE 2 (Tokyo, 2016), Ende Tymes (Brooklyn, 2017), Jazz Art Sengawa 2017, CLUB JAZZ 屏風 (Tokyo, 2017) and opened for Wolf Eyes’ Psycho Jazz in the Bay tour (California, 2017).
Jantar grew out of a series of site-specific and film collaborations between Tianna Kennedy and Chad Laird, gradually building to an ensemble that includes Kirsten Nordine, Kelly Rudman and Ted Robinson. Jantar performs experimental easy listening music, incorporating ambient noise and improvisation derived from film and background music.
Mixology Festival 2018: Circuit Breakers presents four evenings and seven musical artists and ensembles who bend, blend, and extend electronic instruments and tools toward new realms of creative communication. Surreal songs, ritual roustings, radiophonic phenomena, and a multimedia mélange will incite, inspire, and inhabit. Active for over 25 years, Roulette’s Mixology Festival celebrates new and unusual uses of technology in music and the media arts. Primarily a snapshot of current activity, Mixology strives to reflect both the history and trends of innovation that impact the Zeitgeist.
Curated by David Weinstein, with consultation from Susan Karabush, Ruth Kahn, Kerry Santullo, and Mia Wendel-DiLallo.
This performance is part of series supported, in part, with funds from GENERATE: The Frances Richard Fund for Innovative Artists of Promise. Instituted in 2014, GENERATE aims to provide immediate, practical assistance to artists, helping them achieve ambitious work to be presented in our theater. Click here for more information about how you can contribute to GENERATE.
GENERATE: The Frances Richard Fund for Innovative Artists of Promise is made possible, in part, with funds from The Arts Council of the Southern Finger Lakes, The Jerome Foundation, mediaThe foundation, Inc., The Mertz Gilmore Foundation, The New York State Council on the Arts, The New York City Department of Cultural Affairs, Roulette’s Board of Directors and the generosity of our New & Adventurous audiences.