The 'décollages' by the Italian Mimmo Rotella (1918–2006) on show in this exhibition impressively present an important chapter in European art history. His works involve the viewer in a perceptual game of coexisting image fragments. Torn advertising posters with colourful images and lettering are familiar to us from our fleeting perception in everyday life, for torn posters (Italian: 'manifesti lacerati'), which are charming and at the same time a little run-down, are omnipresent in the modern city.