Michael Kenna

About

The eponymous artist has been traveling far and wide and has brought with him new works out of Italy and Southeast Asia, and has revisited beloved subjects in the industrial landscape of Detroit and the urban vistas of New York City.

When looking at the artist’s oeuvre and the myriad of subjects therein, it is not difficult to realize the acumen of Michael Kenna. The careful treatment of each composition is apparent from frame to frame, in which every detail is given its due consideration. For Kenna, his photographs are “visual haiku poems, rather than full length novels.” Though these works are the result of a fleeting moment, however brief, each one is a complete homage to its subject.

In receiving this treatment, the majesty of nature and the grandeur of the developed city-scape is revealed in each photograph. Along the Mekong in Laos a tree enthroned by its own roots rises from the riverside becoming a living shrine to nature’s beauty. In Abruzzo, Italy the natural and man-made is celebrated in a marriage as the dual subjects of the Apennine Mountains and city’s renaissance architecture join together to enhance their shared beauty rather that compete as opposing forces. The ramparts of an Italian castle, a tree poised on the edge of a river, and the industrial factories of Detroit, though vastly different are each elevated to the highest esteem by the lens of Michael Kenna.