Seen Fifteen is pleased to present a new solo exhibition by Northern Irish artist Martin Seeds - VIOLENCE. RELIGION. INJUSTICE. DEATH. Seeds grew up in Belfast at the height of the civil conflict “The Troubles” in the 1970s and 1980s. Through his practice he engages with the conflicting experiences of Northern Irish identity, politics and culture. On entering the gallery, the viewer will be confronted with a large scale site-specific installation of Seeds’ latest body of work, Masks. This series marks a new departure in the artist’s practice driven by the fact that Northern Ireland and the “Irish Question” has been thrust into the centre of political discourse surrounding the Brexit negotiations. The Masks are an overt reference to terrorism and an expression of the artist’s darkest fears that Brexit could lead to a complete unravelling of the 1998 Good Friday Agreement and a return to the sectarian violence that was the backdrop to his early life. The installation will comprise of over 150 unique silver gelatin contact prints of balaclava ski masks, hand-made in the darkroom with the screen of an iPad.
The exhibition will also include new works from the series Disagreements,
part of a long-term project made in the grounds of the Stormont Estate, home of the Northern Ireland Assembly in Belfast. The Assembly was created as part of the Good Friday Agreement with the aim of establishing a devolved government in which both Unionist and Nationalist political parties would share power. The devolved government of Northern Ireland collapsed in January 2017 and has not operated since. With Brexit dominating the business of Westminster, the issue of dysfunction at Stormont has rarely been covered in the British media. Seeds’ Disagreements
works - which fuse together positive and negative images of the same subject - are an allegorical response to the fragility and vulnerability of Northern Ireland politics.